All this from an author who admits, “I am a chicken historian who does not actually like eating chicken,” but who finds the...
In her first book, a food historian with a feature writer’s flair illuminates the culinary history of the now-ubiquitous chicken.
Though the chicken would seem to be a subject that everybody knows about, Rude makes the humble bird’s story fresh and interesting on nearly every page. “Painted in broad strokes,” writes the author in the introduction, “this is a story of agricultural science and human health, of the economics of feeding a nation and the politics that encircle the making and eating of a food. But on a more intimate level, this is really just the story of dinner.” From chicken soup to chicken nuggets and from “chicken” as a synonym for coward to “a chicken in every pot” as a campaign slogan for prosperity, Rude covers chicken from practically every possible angle and perspective, showing how the bird that was once used mainly for its eggs and feathers now outdistances beef and pork (the “Other White Meat”) in American preference and how it has gone from a high-priced extravagance to a mass-produced bargain. Readers will learn about the 1920s “great Chicken Wars” that rivaled bootlegging in their bloodshed, about the “millions of mail-order chicks” delivered by the postal service, and about the development of “chicken eyewear” and even contact lenses to prevent the birds from pecking each other to death. There’s an unsung hero in Robert Baker, the “poultry savant, a chicken Thomas Edison,” whose legacy extends to the Chicken McNuggets boom, and Rude offers an intriguing analysis of the cross-cultural relationship between Colonel Sanders (beloved in China and Japan) and General Tso. There is also a more serious examination of the “deadly risks” in the mass production of chicken, including E. coli and salmonella.
All this from an author who admits, “I am a chicken historian who does not actually like eating chicken,” but who finds the bird as fascinating as she makes it for readers.Pub Date: Aug. 15, 2016
ISBN: 978-1-68177-163-2
Page Count: 272
Publisher: Pegasus
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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