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REDEMPTION POST MORTEM

An inventive, twist-filled escapade with amusing supernatural trappings.

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In Buchman’s paranormal thriller, a nameless soul discovers that the afterlife is significantly different then he anticipated.

Instead of going straight to Oblivion, a soul finds himself shunted into the Pilot Program: The Heavenly Department of Health and Human Services puts him into a new body, and the overbearing Angel Azazel sends him on various missions. His first outing involves shutting down a gathering of Satanists and yields mixed results: He dispatches many of the Satanists and saves the woman they were about to sacrifice, but gets physically killed in the process. Rather than going to Heaven, as he’d hoped, he receives new orders, based on information in a folder that he brought back from the Satanists. The nameless soul must now locate and destroy the Book of Remedies—a lost volume of cures for all diseases in the world; to accomplish this task, he joins a living rogue named Juma and, eventually, Nora, the woman he recently rescued. He and Nora soon fall into a mutual attraction. After a series of missteps and misadventures, the trio finally locate the book, but a series of unexpected plot swerves leads the soul to use a time-trusted method to contact Azazel, who gives him one more fateful mission. Buchman’s version of the afterlife is a distinctive kind of hell in which bureaucracy and office politics reign. The Creator delegates tasks to Angels, who lord over Demons, who, in turn, rule over the “monkeys” (also known as humans). This scenario leaves the protagonist, who doesn’t even remember his mortal history, at the very bottom of this hierarchy; still, he manages to do the right thing, even though his missions have few positive outcomes. The hunt for the Book of Remedies forms the heart of the action-filled narrative, which shifts the narrative smoothly away from social commentary, although it does return on occasion. There’s adventure aplenty as the soul and his partners race across the Middle East and Asia hunting for dangerous treasure.

An inventive, twist-filled escapade with amusing supernatural trappings.

Pub Date: Dec. 9, 2025

ISBN: 9798218826673

Page Count: 362

Publisher: Self

Review Posted Online: Dec. 29, 2025

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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