A slow read with an emphasis placed on the “benefits” of Jean’s Christianized education and a focus that glosses over the...

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A PROMISING LIFE

COMING OF AGE WITH AMERICA

Jean Baptiste Charbonneau was born to a Frenchman, Toussaint, and a Shoshone woman, Sakakawea, who assisted Lewis and Clark on their legendary expedition.

When Sakakawea’s husband’s post-expedition plans fall through, they decide to leave St. Louis behind, leaving their only son in the nominal care of Capt. Clark, who had offered to adopt the boy. Problem is, Capt. Clark is hundreds of miles away, and Jean is left to attend an all-boys school of “mixed bloods”—children of Native and white parentage. Jean adapts. When Capt. Clark finally makes it back to St. Louis, Jean learns that his place as Clark’s “son” has been taken by Clark’s natural-born newborn son. Though Clark continues to financially support Jean’s education, Jean is left to grow up on his own and becomes further immersed in “white” ways. This narrative distances readers from the harshness of life for Native American children who were forced to attend missionary schools. McCully creates a fictionalized character who interacts with apologetic yet complicit racists, including Clark himself, a slave owner who contributed to the western expansion that destroyed Native American nations. Sakakawea’s voice is muted as she permanently leaves her 7-year-old son behind, only wishing the young child well in his adaptation to the white world. The depth of Sakakawea’s experience is lost, her depiction merely that of a passive captive who lacks any real emotion.

A slow read with an emphasis placed on the “benefits” of Jean’s Christianized education and a focus that glosses over the genocide that occurred among Native American people. (Historical fiction. 12-16)

Pub Date: July 25, 2017

ISBN: 978-0-439-31445-9

Page Count: 304

Publisher: Levine/Scholastic

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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Skip this uninspired entry into the world of medieval love and court intrigue.

THE BETROTHED

From the Betrothed series , Vol. 1

In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.

The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.

Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)

Pub Date: May 5, 2020

ISBN: 978-0-06-229163-9

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Feb. 5, 2020

Kirkus Reviews Issue: March 1, 2020

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Heartbreaking, historical, and a little bit hopeful.

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SALT TO THE SEA

January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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