A gentle story of bittersweet growth and healing that stems from family, art, and place.
A debut told from the point of view of a 15-year-old as she navigates grief and change during a summer on Manitoulin Island in Ontario.
Norie Lynch has a passion for art and feels a close bond with Johanna, her maternal grandmother. After Gram’s death, Norie’s controlling father is killed in a car accident that also destroys a precious artist’s box that belonged to Gram and was brought to Canada when the family left Ireland generations ago. Now, Norie can’t face doing art. She and her mother, Alice, go stay with Alice’s friend Dahlia and her family in rural Burren Bay on Manitoulin Island. There, Norie slowly connects with emotionally distant Alice. She also gradually forms bonds with Dahlia’s family—daughter Wil (also 15) and husband Gibson—and people in the local community, such as artist Nell Gallagher and contractor Ray Fox, who’s cued Anishinaabe (other major characters read white). Norie also finds a healing connection to the landscape around the nearby lighthouse, finding her way back to her artist’s soul in part by connecting to the past through the story of Oonagh, an 1892 immigrant from Ireland. This compact, lyrically written novel will appeal to readers who appreciate character-driven stories and rich symbolism. De Angelis roots her story in a well-rendered landscape, creating a strong sense of place in both the historical and contemporary storylines.
A gentle story of bittersweet growth and healing that stems from family, art, and place. (Fiction. 12-18)Pub Date: May 4, 2024
ISBN: 9781988989792
Page Count: 186
Publisher: Latitude 46
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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