A gentle story of bittersweet growth and healing that stems from family, art, and place.
A debut told from the point of view of a 15-year-old as she navigates grief and change during a summer on Manitoulin Island in Ontario.
Norie Lynch has a passion for art and feels a close bond with Johanna, her maternal grandmother. After Gram’s death, Norie’s controlling father is killed in a car accident that also destroys a precious artist’s box that belonged to Gram and was brought to Canada when the family left Ireland generations ago. Now, Norie can’t face doing art. She and her mother, Alice, go stay with Alice’s friend Dahlia and her family in rural Burren Bay on Manitoulin Island. There, Norie slowly connects with emotionally distant Alice. She also gradually forms bonds with Dahlia’s family—daughter Wil (also 15) and husband Gibson—and people in the local community, such as artist Nell Gallagher and contractor Ray Fox, who’s cued Anishinaabe (other major characters read white). Norie also finds a healing connection to the landscape around the nearby lighthouse, finding her way back to her artist’s soul in part by connecting to the past through the story of Oonagh, an 1892 immigrant from Ireland. This compact, lyrically written novel will appeal to readers who appreciate character-driven stories and rich symbolism. De Angelis roots her story in a well-rendered landscape, creating a strong sense of place in both the historical and contemporary storylines.
A gentle story of bittersweet growth and healing that stems from family, art, and place. (Fiction. 12-18)Pub Date: May 4, 2024
ISBN: 9781988989792
Page Count: 186
Publisher: Latitude 46
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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