Engaging historical fiction with harbingers of current events.
Two young women fight for their freedom in Depression-era North Carolina.
Matchar braids together two narratives: One is related by Millie Green, the daughter of a pickle manufacturer, and the other by a mysterious, apparently mute young woman who appears in Millie’s hometown of New Bern, North Carolina. Millie is nursing psychic wounds resulting from the death of her beloved younger brother and a breakdown due to her inability to find a treatment for him. At 25, she’s becoming an old maid by the standards of Little Jerusalem, New Bern’s claustrophobic Jewish neighborhood. She discovers a disheveled woman behind her family’s pickle warehouse and embarks on a mission to determine the woman’s identity, origins, and native language (since she doesn’t respond to English). Millie recounts the story of her own circumstances and standing within the community in an appealingly blunt style; her fervent wish to be freed of expectations of marriage runs directly counter to her mother’s hopes for her. When the narrator role switches to the stranger’s voice and her background is disclosed, her name is revealed to be Cecilia. She hails from dire poverty in a town not far from New Bern and, unsurprisingly, speaks English. On the run from a horrific institution where eugenics are part of the agenda, Cecilia enlists Millie’s help in maintaining her liberty. Matchar skillfully advances both women’s sagas, carrying them forward to a suspenseful denouement. The backstories of Millie’s family members and friends expose the good and bad sides of belonging to a closed community and reveal the ways a community can open up in response to the needs of others.
Engaging historical fiction with harbingers of current events.Pub Date: April 14, 2026
ISBN: 9798217048007
Page Count: 320
Publisher: Putnam
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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