A dazzling, satisfying sequel
The sequel to The Abyss Surrounds Us (2016) finds this world’s post-apocalyptic future threatened by rogue genetically engineered sea monsters.
Cas Leung, once an aspiring trainer of the savage, gargantuan Reckoners that protect the world’s maritime traffic from pirates, now bears the tattoo of pirate captain Santa Elena’s Minnow. It’s the only way, she figures, she can pursue the double-dealing Reckoner agent who has been selling unlicensed pups to pirates. When the Minnow tangles with one that’s now grown and on the loose, Cas realizes the NeoPacific’s fast-dwindling fisheries are being consumed by these Hellbeasts, and global environmental catastrophe looms again. Even as Santa Elena convenes the Salt, the treaty organization of the NeoPacific’s pirates, to address this threat, the relationship begun previously between Cas and fellow trainee Swift continues to evolve, physical attraction and affection ever in conflict with the ruthless competition for supremacy that defines a pirate trainee’s life. Skrutskie deftly balances introspection and action, making for a page-turning, thoughtful read. Her worldbuilding envisions a brutal and diverse future: gender is no barrier to success—kick-ass women abound, most notably brown-skinned Santa Elena and white Swift—and neither, for the most part, is race, although differences are both acknowledged and celebrated. Chinese-American Cas’ moment with a plate of siumai, ordered in her “best Canto,” is “pure bliss” with “food that is so thoroughly mine.”
A dazzling, satisfying sequel . (Science fiction. 14 & up)Pub Date: April 18, 2017
ISBN: 978-1-63583-000-2
Page Count: 296
Publisher: Flux
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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