An engaging narrative with a complex cast that intersects race, sexual identity, religion, and class.
by Emily Skrutskie ‧ RELEASE DATE: July 17, 2018
As the last remnants of humanity search for a new home, two very different women become cybernetic weapons to protect the Fleet from rising rebellion.
In the Seventh District of a highly stratified Fleet, 17-year-old Aisha Un-Haad cannot provide for her two younger siblings, one deathly ill, without taking drastic measures. She has no choice but to be transformed into a Scela, a mechanically enhanced, networked weapon. Eighteen-year-old Key Tanaka awakens from Scela modification surgery with no recollection of why she would abandon her previous life of luxury in the First District and is determined to excel, for her own sake and in hopes of recovering her memory. But as Aisha and Key, along with fellow trainees Woojin Lih and Praava Ganes, uncover more about the Fleet and the rebel Fractionists, they find themselves entangled in the conflict and must balance loyalty to the Fleet with the survival of humanity. Skrutskie (Edge of the Abyss, 2017, etc.) presents a space odyssey of diverse representation told in dual perspectives between Aisha and Key, two women of color, with clarity and precision. Aisha identifies as aromantic and asexual, and her Ledic religion appears to be derived from Islam, with some similar rituals and symbols, which affects her worldview and how she is treated. Woojin is pansexual.
An engaging narrative with a complex cast that intersects race, sexual identity, religion, and class. (Science fiction. 12-17)Pub Date: July 17, 2018
ISBN: 978-1-5247-7019-8
Page Count: 320
Publisher: Delacorte
Review Posted Online: April 10, 2018
Kirkus Reviews Issue: May 1, 2018
Share your opinion of this book
Did you like this book?
More by Emily Skrutskie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More About This Book
PROFILES
by Ben Philippe ‧ RELEASE DATE: Jan. 8, 2019
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
Share your opinion of this book
Did you like this book?
More by Ben Philippe
BOOK REVIEW
by Ben Philippe
More About This Book
by Patricia McCormick ‧ RELEASE DATE: May 8, 2012
A harrowing tale of survival in the Killing Fields.
The childhood of Arn Chorn-Pond has been captured for young readers before, in Michelle Lord and Shino Arihara's picture book, A Song for Cambodia (2008). McCormick, known for issue-oriented realism, offers a fictionalized retelling of Chorn-Pond's youth for older readers. McCormick's version begins when the Khmer Rouge marches into 11-year-old Arn's Cambodian neighborhood and forces everyone into the country. Arn doesn't understand what the Khmer Rouge stands for; he only knows that over the next several years he and the other children shrink away on a handful of rice a day, while the corpses of adults pile ever higher in the mango grove. Arn does what he must to survive—and, wherever possible, to protect a small pocket of children and adults around him. Arn's chilling history pulls no punches, trusting its readers to cope with the reality of children forced to participate in murder, torture, sexual exploitation and genocide. This gut-wrenching tale is marred only by the author's choice to use broken English for both dialogue and description. Chorn-Pond, in real life, has spoken eloquently (and fluently) on the influence he's gained by learning English; this prose diminishes both his struggle and his story.
Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers will seek out the history themselves. (preface, author's note) (Historical fiction. 12-15)Pub Date: May 8, 2012
ISBN: 978-0-06-173093-1
Page Count: 224
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: March 21, 2012
Kirkus Reviews Issue: April 15, 2012
Share your opinion of this book
Did you like this book?
More by Patricia McCormick
BOOK REVIEW
by Patricia McCormick ; illustrated by Iacopo Bruno
BOOK REVIEW
BOOK REVIEW
by Malala Yousafzai with Patricia McCormick
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.