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THIS MORTAL COIL

An original concept but with an ending that requires a suspension of disbelief

In Suvada’s high-tech debut, a virus has ravaged the world and one teen holds the key to the cure.

In a world where everyone is embedded with technology at birth that allows them to manipulate their DNA, Catarina Agatta’s dad, Lachlan, is the best gentech coder in the world. Naturally, she has inherited his skills to become a master hacker. At the outbreak of a horrifying virus that causes its victims to combust and those nearby to cannibalize them before they do, Cartaxus, a corrupt organization, forcibly whisks Lachlan away to develop a cure. For two years, Catarina survives on her own, carefully avoiding Cartaxus’ grasp. One day, a Cartaxus soldier, Cole, shows up on her doorstep with the news that her father has died but that he managed to develop a vaccine. The only catch? Cole and Catarina must work together to find, decrypt, and release it to the masses. On their dangerous adventure to save the world, Cat is forced to question everything she thought she knew about her father, Cartaxus, the virus, and even herself. Featuring a strong, tech-savvy protagonist who will stop at nothing to get the job done, the novel explores exciting yet terrifying possibilities. (Race identity in this DNA–fluid future goes mostly undefined, but her surname implies Greek heritage.) While the twists and turns keep readers on their toes, one particular curveball comes so far out of left field it threatens to derail the story.

An original concept but with an ending that requires a suspension of disbelief . (Science fiction. 14-18)

Pub Date: Nov. 7, 2017

ISBN: 978-1-4814-9633-9

Page Count: 432

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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THIS THING OF OURS

A thought-provoking exploration of storytelling dynamics in a social media–driven society.

A Black basketball star starts his senior year by pivoting to find his true voice in the classroom.

Ossie Brown was destined for greatness before an injury in a game ended his high school basketball career. Ossie feels like his future was stolen—and on top of that, his girlfriend dumps him. Grandma Alice comforts him with a reminder that basketball doesn’t define him; still, the game helped Ossie cope with his fractured relationship with his widowed mother. A new opportunity opens up when Ms. Hunt, Ossie’s Black English teacher at mostly white Braxton Academy, where he has a full-ride scholarship, tells him about the Mark Twain Creative Writing Program. A vivid dream in which his father speaks to him inspires Ossie’s application essay. He connects with Luis and Naima, the only other participants who aren’t white, but agitation by conservative students against a “woke agenda” leads to Ms. Hunt’s replacement by a teacher who exclusively uses texts by white authors. Ossie’s online attempt to support Naima’s protest has unintended consequences, and he’s forced to reevaluate his solo activism. The central characters’ relationships will engage readers, and Ossie’s dilemma will resonate with anyone whose good intentions have gone sideways. Committed, pragmatic, and reflective Ossie ultimately learns from Grandma Alice’s wise counsel: “This thing of ours—life, you see—is only as beautiful as the bonds we make as we journey through it.”

A thought-provoking exploration of storytelling dynamics in a social media–driven society. (Fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9781536233469

Page Count: 384

Publisher: Candlewick

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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