An invitation to “close your eyes” and “snuggle in” to be transported by a menagerie of dream animals to magical adventures.
When readers fall asleep at night, “animals from long ago / And twice as far away” could carry them to their dreams on “wing or paw or fin.” A bear might carry them to a never-ending feast. A fox might take them to an “elfin hollow / Hidden underground.” Robins may fly them above the trees or a narwhal dive them beneath the seas to a mermaid tea party. A tiger could take them to a circus or perhaps a moth will carry them to the “very moon and stars.” Neatly enclosed within line borders on a serene, pale blue background, the enticing rhyming text accompanies a fluid sketch of a sleeping child in a real-world setting with a toy animal, foreshadowing the dream animal that, on the opposite page, transports the child to a fantasy destination revealed in the subsequent double-page spread. These stunning, full-color illustrations rely on polished brush strokes, midnight blue backgrounds and ethereal light to produce an almost surreal atmosphere in which children quietly ride their dream animals to fantastical venues, silently suggesting the infinite possibility of dreams.
A visually elegant and textually cadenced bedtime treat. (Picture book. 3-6)Pub Date: Oct. 22, 2013
ISBN: 978-0-449-81080-4
Page Count: 32
Publisher: Random House
Review Posted Online: July 31, 2013
Kirkus Reviews Issue: Aug. 15, 2013
Categories: CHILDREN'S ANIMALS
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All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 8, 2019
Kirkus Reviews Issue: June 1, 2019
Categories: CHILDREN'S ANIMALS
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Spending a day with Gong Gong doesn’t sound like very much fun to May.
Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture.
A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)Pub Date: Sept. 8, 2020
ISBN: 978-1-77321-429-0
Page Count: 36
Publisher: Annick Press
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
Categories: CHILDREN'S FAMILY
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It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
Categories: CHILDREN'S ANIMALS | CHILDREN'S FAMILY | CHILDREN'S SOCIAL THEMES
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