Looking closely at little details will offer readers big rewards.

READ REVIEW

THE LITTLEST FAMILY'S BIG DAY

A forest-dwelling family of tiny anthropomorphic bears and a baby fox go adventuring.

Martin’s exquisite acrylic-and-gouache illustrations will invite readers to pore over their details in order to take in the many wonders of the miniature, fantastic woodland setting. After setting up house behind a red door at the base of a tree, the littlest family ventures out for a walk, the baby fox in a walnut-shell stroller. (It’s a mixed marriage, father bear a tawny brown, mother bear dark brown, and the children lighter shades of brown.) “Were they alone?” asks the text, printed in a type that approximates cursive. Readers who spy a fairy in the lower-left corner of the verso can anticipate the response at the page turn: “They were not! Not at all.” They greet tiny bunnies, squirrels, birds, raccoons, a bug and a snail, and elves. The family’s wanderings take them boating on leaves across waterways to a spot where they eat wild strawberries, through a storm and to shelter under a toadstool, and then they are lost. A benevolent owl helps them find the best place of all, “HOME,” which is depicted in a gorgeous full-bleed double gatefold. The absence of rich characterization and a fully engaging story is mitigated by the illustrations’ achievement: the art outshines the text throughout. Martin is an illustrator to watch.

Looking closely at little details will offer readers big rewards. (Picture book. 3-8)

Pub Date: Oct. 18, 2016

ISBN: 978-0-553-51101-7

Page Count: 36

Publisher: Random House

Review Posted Online: Aug. 17, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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This celebration of cross-generational bonding is a textual and artistic tour de force.

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LAST STOP ON MARKET STREET

A young boy yearns for what he doesn’t have, but his nana teaches him to find beauty in what he has and can give, as well as in the city where they live.

CJ doesn’t want to wait in the rain or take the bus or go places after church. But through Nana’s playful imagination and gentle leadership, he begins to see each moment as an opportunity: Trees drink raindrops from straws; the bus breathes fire; and each person has a story to tell. On the bus, Nana inspires an impromptu concert, and CJ’s lifted into a daydream of colors and light, moon and magic. Later, when walking past broken streetlamps on the way to the soup kitchen, CJ notices a rainbow and thinks of his nana’s special gift to see “beautiful where he never even thought to look.” Through de la Peña’s brilliant text, readers can hear, feel and taste the city: its grit and beauty, its quiet moments of connectedness. Robinson’s exceptional artwork works with it to ensure that readers will fully understand CJ’s journey toward appreciation of the vibrant, fascinating fabric of the city. Loosely defined patterns and gestures offer an immediate and raw quality to the Sasek-like illustrations. Painted in a warm palette, this diverse urban neighborhood is imbued with interest and possibility.

This celebration of cross-generational bonding is a textual and artistic tour de force. (Picture book. 3-6)

Pub Date: Jan. 8, 2015

ISBN: 978-0-399-25774-2

Page Count: 32

Publisher: Putnam

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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