Sweet and engaging.
The titular alligator’s life is chronicled, from his hatching in 1995 at a Louisiana alligator farm through his move to a Florida zoo to his current existence as a major attraction at the California Academy of Sciences.
The first double-page spread announces, “In a Louisiana swamp, a baby alligator cracked out of his shell.” The text goes on to tell all the ways in which this baby was similar to “his many brothers and sisters,” including calling them all “quite cute.” Amazingly, the pastel-hued, retro-feeling art does a fine job of echoing that sentiment, showing a bevy of not-entirely-anthropomorphized little critters emerging from their eggs in different poses. The eye is drawn to the sole (cute) white one as the text pronounces the fact that this alligator is called an albino. As the story unfolds, readers learn of the dangers faced by albino alligators, including the fact that other alligators feel uncomfortable around them. The theme of rejection due to difference is an intrinsic part of Claude’s story, so readers develop sympathy and empathy as they also learn facts about albinism and animal behavior. For 13 years, Claude lives in safety in a zoo—but also alone. When he is transported to San Francisco to a state-of-the-art museum swamp, a second (green) alligator is introduced—but after she injures Claude, he is alone again. Or is he? Art shows attention to diversity in people.
Sweet and engaging. (Q&A) (Informational picture book. 4-8)Pub Date: Aug. 4, 2020
ISBN: 978-1-63217-269-3
Page Count: 32
Publisher: Little Bigfoot/Sasquatch
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A ribald and uproarious warning to those unschooled in fishy goings-on.
Sharpson offers so-fish-ticated readers a heads up about the true terror of the seas.
The title says it all. Our unseen narrator is just fine with other animals: mammals. Reptiles. Even birds. But fish? Don’t trust them! First off, the rules always seem to change with fish. Some live in fresh water; some reside in salt water. Some have gills, while others have lungs. You can never see what they’re up to, since they hang out underwater, and they’re always eating those poor, innocent crabs. Soon, the narrator introduces readers to Jeff, a vacant-eyed yellow fish—but don’t be fooled! Jeff’s “the craftiest fish of all.” All fish are, apparently, hellbent on world domination, the narrator warns. “DON’T TRUST FISH!” Finally, at the tail end, we get a sly glimpse of our unreliable narrator. Readers needn’t be ichthyologists to appreciate Sharpson’s meticulous comic timing. (“Ships always sink at sea. They never sink on land. Isn’t that strange?”) His delightful text, filled to the brim with jokes that read aloud brilliantly, pairs perfectly with Santat’s art, which shifts between extreme realism and goofy hilarity. He also fills the book with his own clever gags (such as an image of Gilligan’s Island’s S.S. Minnow going down and a bottle of sauce labeled “Surly Chik’n Srir’racha’r”).
A ribald and uproarious warning to those unschooled in fishy goings-on. (Picture book. 4-7)Pub Date: April 8, 2025
ISBN: 9780593616673
Page Count: 40
Publisher: Dial Books
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
PERSPECTIVES
A lyrical and educational look at the water cycle.
Through many types of weather and the different seasons, water tells readers about its many forms.
“Sometimes I’m the rain cloud / and sometimes I’m the rain.” Water can make rainbows and can appear to be different colors. Water is a waterfall, a wave, an ocean swell, a frozen pond, the snow on your nose, a cloud, frost, a comet, a part of you. Throughout, Paterson’s rhyming verses evoke images of their own: “Soon the summer sun is back / and warms me with its rays. / I rise in rumbling thunderheads / like castles in the haze,” though at times word order seems to have been chosen for rhyme rather than meaning (“In fall I sink into a fog / and blanket chilly fields, / with pumpkins touched by morning frost / the harvest season yields”). Backmatter includes a diagram of the water cycle that introduces and describes each step with solid vocabulary, including “Collection” as a step in the process; “The Science Behind the Poetry,” which unpacks some of the poetic language and phrases; some water activities and explorations; conservation tips; and a list of other books from the publisher about water. Paterson’s full- and double-page–spread illustrations are just as magical as his verse, showing water in its many forms from afar and close up. Few people appear on his pages, but the vast majority of those are people of color.
A lyrical and educational look at the water cycle. (Informational picture book. 4-8)Pub Date: March 1, 2018
ISBN: 978-1-58469-615-5
Page Count: 32
Publisher: Dawn Publications
Review Posted Online: Jan. 12, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
BOOK REVIEW
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