Part memoir, part social history, and sure to become the definitive book on the politics, culture, and economics of black...
A historical and personal exploration of why black hair isn’t “just hair.”
From white plantation mistresses shaving enslaved women’s heads as punishment to present-day federal court rulings declaring it legal to fire black employees for wearing natural hairstyles, black hair is political. In her study of black hair cultures, BBC race correspondent Dabiri observes how, across continents and centuries, people of African descent have been subjected to “scrutiny, fetishization, or censure, and sometimes all three, because of our hair.” Black hair, writes the author, has been deemed inferior and “difficult to control” and used as a justification for discrimination. Dabiri blends thorough research with incisive commentary and artful memoir. “My own hair has been disappointing people since my birth,” she writes. Growing up Irish Nigerian in Ireland in the 1980s and ’90s, her hair was a constant source of shame and trauma. Today, in Ireland and elsewhere, black hair is still, in many cases, considered taboo. Meanwhile, the Kardashian-Jenners make millions appropriating black hair and aesthetics. Though peppered throughout with engaging pop-culture references, the book is also a deft geopolitical and economic meditation. What might Africa and her descendants have become if not for the horrors of the trans-Atlantic slave trade and colonialism? Given the abiding influence of racism and colonialism, how do we liberate and decolonize black hair? Dabiri explores the current natural hair movement and looks back at the complex successes and legacies of the first black female millionaires: early black hair care entrepreneurs Madam C.J. Walker and Annie Turnbo Malone. Compelling and engrossing, this book will satisfy readers familiar with the sizzle of the straightening comb as well as those who aren’t.
Part memoir, part social history, and sure to become the definitive book on the politics, culture, and economics of black hair. (b/w illustrations)Pub Date: June 23, 2020
ISBN: 978-0-06-296672-8
Page Count: 272
Publisher: Perennial/HarperCollins
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
PERSPECTIVES
An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.
Two bestselling authors engage in an enlightening back-and-forth about Jewishness and antisemitism.
Acho, author of Uncomfortable Conversations With a Black Man, and Tishby, author of Israel: A Simple Guide to the Most Misunderstood Country on Earth, discuss many of the searing issues for Jews today, delving into whether Jewishness is a religion, culture, ethnicity, or community—or all of the above. As Tishby points out, unlike in Christianity, one can be comfortably atheist and still be considered a Jew. She defines Judaism as a “big tent” religion with four main elements: religion, peoplehood, nationhood, and the idea of tikkun olam (“repairing the world through our actions”). She addresses candidly the hurtful stereotypes about Jews (that they are rich and powerful) that Acho grew up with in Dallas and how Jews internalize these antisemitic judgments. Moreover, Tishby notes, “it is literally impossible to be Jewish and not have any connection with Israel, and I’m not talking about borders or a dot on the map. Judaism…is an indigenous religion.” Acho wonders if one can legitimately criticize “Jewish people and their ideologies” without being antisemitic, and Tishby offers ways to check whether one’s criticism of Jews or Zionism is antisemitic or factually straightforward. The authors also touch on the deteriorating relationship between Black and Jewish Americans, despite their historically close alliance during the civil rights era. “As long as Jewish people get to benefit from appearing white while Black people have to suffer for being Black, there will always be resentment,” notes Acho. “Because the same thing that grants you all access—your skin color—is what grants us pain and punishment in perpetuity.” Finally, the authors underscore the importance of being mutual allies, and they conclude with helpful indexes on vernacular terms and customs.
An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.Pub Date: April 30, 2024
ISBN: 9781668057858
Page Count: 256
Publisher: Simon Element
Review Posted Online: March 13, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
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