High on message and low on content.
A monkey parent expresses love for all the bits and pieces of a monkey child.
The mother or father, not specified, reiterates how he or she loves every little thing about the child, every little activity, every little mood and emotion, every little game and every little range of behavior. This love is constant and everlasting and grows, until finally the ode concludes, “I love you more and more!” The repetitious text is mere fodder for the gold-foiled illustrations that feature parent and child in page-filling close-ups. The artwork is digitally rendered and imparts a very human visage to the little monkey’s face, hands and toes. In a double-page spread that evokes Valentine’s Day cards, the parent sits with arm around the child as their two tails entwine in a heart. In a companion title, Always, Dodd conveys her message of unconditional love through an elephant with similar moods and actions as the monkey. Even more foil embellishes the artwork in this volume, albeit this time in silver meant to evoke the African savanna. A similar cuddly finale finds elephant and child in a trunk-size embrace accompanied by the uber-reassuring “I always love you!”
High on message and low on content. (Picture book. 2-5)Pub Date: Aug. 26, 2014
ISBN: 978-0-7636-7543-1
Page Count: 24
Publisher: Templar/Candlewick
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes.
A lift-the-flap book gives the littlest trick-or-treaters some practice identifying partygoers under their costumes.
Little Blue Truck and his buddy Toad are off to a party, and they invite readers (and a black cat) along for the ride: “ ‘Beep! Beep! Beep!’ / says Little Blue. / ‘It’s Halloween!’ / You come, too.” As they drive, they are surprised (and joined) by many of their friends in costume. “Who’s that in a tutu / striking a pose / up on the tiniest / tips of her toes? / Under the mask / who do you see?” Lifting the flap unmasks a friend: “ ‘Quack!’ says the duck. / ‘It’s me! It’s me!’ ” The sheep is disguised as a clown, the cow’s a queen, the pig’s a witch, the hen and her chick are pirates, and the horse is a dragon. Not to be left out, Little Blue has a costume, too. The flaps are large and sturdy, and enough of the animals’ characteristic features are visible under and around the costumes that little ones will be able to make successful guesses even on the first reading. Lovely curvy shapes and autumn colors fade to dusky blues as night falls, and children are sure to notice the traditional elements of a Halloween party: apple bobbing, lit jack-o’-lanterns, and punch and treats.
Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes. (Board book. 2-4)Pub Date: July 5, 2016
ISBN: 978-0-544-77253-3
Page Count: 16
Publisher: HMH Books
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
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