Visually and conceptually idyllic.

IN THE GARDEN

A graphic artist’s view of a small, mixed garden’s seasonal round, enhanced by flaps, inside views, and cut-paper flowers.

In Giuliani’s composed, quietly harmonious scenes, young Plum and her little brother Robin—both depicted as solid black silhouettes—tidy up their patch after its winter sleep, then at proper times sow seeds, repot plants that wintered over in the greenhouse, water and nurture seedlings, set up poles for beans and stakes for tomatoes, then at last, in autumn, gather ripe fruits and veggies before putting the garden back to bed. The book is rife with specialized vocabulary (“involucre,” “peduncle”) that’s either defined in text or clearly illustrated. Each double-page spread is keyed to a particular moment in the season, with a large picture of Plum and Robin on verso. In blocks of commentary alongside smaller, posterlike images of common flora and fruits on and under flaps cut into natural or geometric shapes, Giuliani describes in some detail the parts of seeds and plants, stages of growth, and good (organic) horticultural practices. If some of those practices, such as “install[ing] a beehive” or pouring milk around garden borders to repel rabbits, are presented fairly simplistically, there are still generous enough funds of botanical information and practical advice in this elegantly illustrated, oversized album to fuel winter dreams and schemes.

Visually and conceptually idyllic. (Informational novelty. 6-9)

Pub Date: April 7, 2020

ISBN: 978-1-61689-893-9

Page Count: 16

Publisher: Princeton Architectural Press

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A good overview of this complex, essential organ, with an energetic seasoning of silliness.

THE BRAIN IS KIND OF A BIG DEAL

An introduction to the lead guitar and vocalist for the Brainiacs—the human brain.

The brain (familiar to readers of Seluk’s “The Awkward Yeti” webcomic, which spun off the adult title Heart and Brain, 2015) looks like a dodgeball with arms and legs—pinkish, sturdy, and roundish, with a pair of square-framed spectacles bestowing an air of importance and hipness. Other organs of the body—tongue, lungs, stomach, muscle, and heart—are featured as members of the brain’s rock band (the verso of the dust jacket is a poster of the band). Seluk’s breezy, conversational prose and brightly colored, boldly outlined cartoon illustrations deliver basic information. The brain’s role in keeping the heart beating and other automatic functions, directing body movements, interpreting sights and sounds, remembering smells and tastes, and regulating sleep and hunger are all explained, prose augmented by dialogue balloons and information sidebars. Seluk points out, importantly, that feelings originate in the brain: “You can control how you react…but your feelings happen no matter what.” The parodied album covers on the front endpapers (including the Beatles, Pink Floyd, Green Day, Run DMC, Queen, Nirvana) will amuse parents—or at least grandparents—and the rear endpapers serve up band members’ clever social media and texting screenshots. Backmatter includes a glossary and further brain trivia but no resources or bibliography.

A good overview of this complex, essential organ, with an energetic seasoning of silliness. (Informational picture book. 6-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-338-16700-9

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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It’s nothing new in territory or angle, but it’s still a serviceable survey with reasonably durable moving parts.

THE ULTIMATE BOOK OF PLANET EARTH

Flaps, pull tabs, and pop-ups large and small enhance views of our planet’s inside, outside, atmosphere, biosphere, and geophysics.

It’s a hefty, high-speed tour through Earth’s features, climates, and natural resources, with compressed surveys of special topics on multileveled flaps and a spread on the history of life that is extended by a double-foldout wing. But even when teeming with small images of land forms, wildlife, or diverse groups of children and adults, Balicevic’s bright cartoon illustrations look relatively uncrowded. Although the quality of the paper engineering is uneven, the special effects add dramatic set pieces: Readers need to hold in place a humongous column of cumulonimbus clouds for it to reach its full extension; a volcano erupts in a gratifyingly large scale; and, on the plate-tectonics spread, a pull tab gives readers the opportunity to run the Indian Plate into the Eurasian one and see the Himalayas bulge up. A final spread showing resources, mostly renewable ones, being tapped ends with an appeal to protect “our only home.” All in all, it’s a likely alternative to Dougal Jerram’s Utterly Amazing Earth, illustrated by Dan Crisp and Molly Lattin (2017), being broader in scope and a bit more generous in its level of detail.

It’s nothing new in territory or angle, but it’s still a serviceable survey with reasonably durable moving parts. (Informational novelty. 6-9)

Pub Date: Aug. 27, 2019

ISBN: 979-1-02760-562-0

Page Count: 18

Publisher: Twirl/Chronicle

Review Posted Online: July 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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