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GROWN UPS

A bracing look at a breakdown that’s sometimes difficult to read but always completely captivating.

A 35-year-old woman obsesses over social media and her ex-boyfriend as her life implodes.

Jenny McLaine is having a rough time. She and Art, her photographer boyfriend of seven years, just broke up. Her job at the Foof, a feminist online magazine, is on the rocks. Her roommates are moving out and her tarot card–loving medium mother is moving in. Her life doesn’t seem as flawless as those of the women she idolizes on social media, but that doesn’t mean she won’t spend an alarming amount of time trying to make things look picture perfect. She even scrolls through her phone during sex—in her defense, it was “a slow bit.” At one point, Jenny panics to the point of tears as she attempts to make an Instagram post about a croissant—should there be a hashtag? an exclamation point?—before throwing the croissant itself into the garbage (an apt metaphor for the amount of attention Jenny pays to her online life versus her real one). It’s easy to sympathize with Jenny’s put-upon single-mom friend, Kelly, who’s annoyed with Jenny’s self-obsessiveness and social media fixation. Through script dialogue, email drafts, and texts along with prose, Unsworth (who also writes for television) gives an up-close and personal view of Jenny’s gradual breakdown as her life falls apart. Although Jenny's constant need to filter every life experience through social media often feels exhausting, there’s no denying that her obsession will resonate with many millennials. Jenny’s voice is strong, sharp, occasionally disgusting, and alternately charming and horrifying as she narrates every one of her stumbles through life.

A bracing look at a breakdown that’s sometimes difficult to read but always completely captivating.

Pub Date: May 12, 2020

ISBN: 978-1-9821-4193-6

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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