A deep, honest meditation on all the drama and intimacy of female friendships.
In Unsworth’s (Hungry, the Stars and Everything, 2012) second novel, two women confront the end of their carefree, party-going 20s.
Laura Joyce and Tyler Johnson have been inseparable since their early 20s. Within their apartment, they’ve cultivated the kind of female friendship that’s closer to a unified existence, and they’re as comfortable quoting Yeats to one another as they are drinking until the sun comes up. But when Laura, who works at a call center but dreams of becoming a writer, gets engaged to straight-laced classical pianist Jim, a shadow is thrown over their relationship. Jim has given up the lifestyle of drinking and partying, and as his career progresses, he encourages Laura to do the same. Unorthodox Tyler, however, maintains her belief that “Sharing your life with someone is like Marmite. It’s FUCKING SHIT,” and she holds fast to her friendship with Laura and their wild, drug-filled nights out. Real life intrudes as Laura’s wedding draws closer, Tyler’s sister has a baby, and the two debate some of life’s bigger questions—what love, romance, and relationships really mean and whether growing up is inevitable. After arguments and a disastrous bar brawl drive a wedge between them, Laura is certain she can’t keep up with Tyler forever, but can she let her go entirely? As Unsworth charts Laura’s glittery nights out with Tyler and clashes with Jim, the book’s constant succession of parties and hangovers can get repetitive, but surprisingly deep insights emerge in between. As she fights with Jim, Laura wants to accuse her fiance of losing his spontaneity but muses, “Hadn’t I fallen for his fixedness, his pin-like regard?...Was that what happened: the things you fell in love with became the very things that repelled you, in the end?” While leveled at Jim, on a deeper level the question is also directed at Tyler and speaks to the book’s moving examination of friendship and whether it can survive as time passes, people change, and the responsibilities of adulthood beckon.
A deep, honest meditation on all the drama and intimacy of female friendships.Pub Date: Oct. 6, 2015
ISBN: 978-1-60945-289-6
Page Count: 256
Publisher: Europa Editions
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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