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FINDING GEORGE ORWELL IN BURMA

A crucial exposé of a scandalous regime.

From an American journalist writing under a pseudonym, a courageous, important examination of the bleak totalitarian state of Myanmar.

It was known as Burma in the 1920s, when Orwell worked there as an officer of the British Imperial Police. The British were in the process of perfecting their reign of oppression in Burma, and much of Larkin’s portrait traces the development of Orwell’s social conscience through what he learned and witnessed. Though Burmese Days, Animal Farm and 1984 were all written by the time Burma became independent in 1948, these three novels “effectively tell the story of Burma’s recent history,” she argues. Following in his footsteps three-quarters of a century later, Larkin traveled to Myanmar, nestled idyllically between India and Thailand, and uncovered uncanny parallels between its abysmal social and political conditions and Orwell’s fictional depictions. Despite the façade it presents to the world of smiling natives and pretty pagodas, the country’s military dictatorship has one of the worst human-rights records anywhere. “We are a country of 50 million hostages,” noted one intrepid man, talking with Larkin (who speaks Burmese) at one of the ubiquitous teashops where people congregate, despite the peril of being watched and recorded. Since the ill-fated democratic uprising of May 1988, history is being eerily rewritten in Myanmar. Dissidents are whisked away to prison, their names vaporized—much like the dystopia portrayed in 1984. Larkin traveled the route along which Orwell was variously posted and uses the colonial names he knew. She went from Mandalay, where he attended Police Training School, to the mosquito-rich Delta. She visited the grandly constructed city of Rangoon and the nearby town of Insein, site of a jail built by the British that is now a notoriously brutal lock-up for the regime’s political prisoners. Dogged by military intelligence wherever she went, Larkin sought out teachers, psychologists and writers who longed to tell the truth.

A crucial exposé of a scandalous regime.

Pub Date: June 2, 2005

ISBN: 1-59420-052-1

Page Count: 304

Publisher: Penguin Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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