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FINDING GEORGE ORWELL IN BURMA

Name: FINDING GEORGE ORWELL IN BURMA
Author: Emma Larkin
ISBN: 1-59420-052-1

by Emma Larkin ‧ RELEASE DATE: June 2, 2005

A crucial exposé of a scandalous regime.

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From an American journalist writing under a pseudonym, a courageous, important examination of the bleak totalitarian state of Myanmar.

It was known as Burma in the 1920s, when Orwell worked there as an officer of the British Imperial Police. The British were in the process of perfecting their reign of oppression in Burma, and much of Larkin’s portrait traces the development of Orwell’s social conscience through what he learned and witnessed. Though Burmese Days, Animal Farm and 1984 were all written by the time Burma became independent in 1948, these three novels “effectively tell the story of Burma’s recent history,” she argues. Following in his footsteps three-quarters of a century later, Larkin traveled to Myanmar, nestled idyllically between India and Thailand, and uncovered uncanny parallels between its abysmal social and political conditions and Orwell’s fictional depictions. Despite the façade it presents to the world of smiling natives and pretty pagodas, the country’s military dictatorship has one of the worst human-rights records anywhere. “We are a country of 50 million hostages,” noted one intrepid man, talking with Larkin (who speaks Burmese) at one of the ubiquitous teashops where people congregate, despite the peril of being watched and recorded. Since the ill-fated democratic uprising of May 1988, history is being eerily rewritten in Myanmar. Dissidents are whisked away to prison, their names vaporized—much like the dystopia portrayed in 1984. Larkin traveled the route along which Orwell was variously posted and uses the colonial names he knew. She went from Mandalay, where he attended Police Training School, to the mosquito-rich Delta. She visited the grandly constructed city of Rangoon and the nearby town of Insein, site of a jail built by the British that is now a notoriously brutal lock-up for the regime’s political prisoners. Dogged by military intelligence wherever she went, Larkin sought out teachers, psychologists and writers who longed to tell the truth.

A crucial exposé of a scandalous regime.

Pub Date: June 2, 2005

ISBN: 1-59420-052-1

Page Count: 304

Publisher: Penguin Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

Categories:

GENERAL NONFICTION

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SLEEPERS

by Lorenzo Carcaterra ‧ RELEASE DATE: July 10, 1995

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An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

Categories:

GENERAL NONFICTION

- BOOK REVIEW
NONNA MARIA AND THE CASE OF THE LOST TREASURE
by Lorenzo Carcaterra

- BOOK REVIEW
NONNA MARIA AND THE CASE OF THE STOLEN NECKLACE
by Lorenzo Carcaterra

- BOOK REVIEW
THREE DREAMERS
by Lorenzo Carcaterra

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DRAFT NO. 4

ON THE WRITING PROCESS

by John McPhee ‧ RELEASE DATE: Sept. 5, 2017

A superb book about doing his job by a master of his craft.

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The renowned writer offers advice on information-gathering and nonfiction composition.

The book consists of eight instructive and charming essays about creating narratives, all of them originally composed for the New Yorker, where McPhee (Silk Parachute, 2010, etc.) has been a contributor since the mid-1960s. Reading them consecutively in one volume constitutes a master class in writing, as the author clearly demonstrates why he has taught so successfully part-time for decades at Princeton University. In one of the essays, McPhee focuses on the personalities and skills of editors and publishers for whom he has worked, and his descriptions of those men and women are insightful and delightful. The main personality throughout the collection, though, is McPhee himself. He is frequently self-deprecating, occasionally openly proud of his accomplishments, and never boring. In his magazine articles and the books resulting from them, McPhee rarely injects himself except superficially. Within these essays, he offers a departure by revealing quite a bit about his journalism, his teaching life, and daughters, two of whom write professionally. Throughout the collection, there emerge passages of sly, subtle humor, a quality often absent in McPhee’s lengthy magazine pieces. Since some subjects are so weighty—especially those dealing with geology—the writing can seem dry. There is no dry prose here, however. Almost every sentence sparkles, with wordplay evident throughout. Another bonus is the detailed explanation of how McPhee decided to tackle certain topics and then how he chose to structure the resulting pieces. Readers already familiar with the author’s masterpieces—e.g., Levels of the Game, Encounters with the Archdruid, Looking for a Ship, Uncommon Carriers, Oranges, and Coming into the Country—will feel especially fulfilled by McPhee’s discussions of the specifics from his many books.

A superb book about doing his job by a master of his craft.