Bittersweet coming-of-age tale with flashes of wit and an especially sympathetic heroine.
A young woman gets the chance to confront the now world-famous rock star who broke her heart 13 years ago, and who went on to write a series of deeply personal songs about her.
Back in Croton Falls, Vt., Jake Sharpe was a teen dream: beautiful, talented, with an aching vulnerability and an unhappy home life. After adoring him for much of high school, Kate Hollis finally gets her man, and the two are inseparable until Jake takes off for L.A. shortly before graduation—without saying goodbye. A devastated Kate tries to get over her loss, but finds it exceedingly difficult as Jake’s music career takes off, with his songs about their young love becoming modern classics. So when her childhood best friend Laura calls to alert her that Jake has come home to do a TV special, Kate puts her grown-up life in Charleston on hold and heads to Croton Falls, in an effort to make Jake “regret his entire existence.” At her parent’s house, Kate revisits all the memories, good and bad, that led her to this moment, including her dad’s mental breakdown and her mom’s subsequent affair, which brought Kate and Jake even closer. And, yep, he wrote about that, too. She then schemes her way onto Jake’s shoot, and catches his eye, setting the stage for the apology—and sexy reunion—that Kate has long been waiting for. Turns out that Jake has never gotten over her either, and the rekindling of their romance feels like fate, with Jake trying to make up for lost time. He whisks his muse to his New York penthouse, and the two share some blissful moments until the mayhem of his celebrity existence intrudes, causing Kate to question whether Jake has changed too much—or too little. This third effort from McLaughlin and Kraus (Citizen Girl, 2004, etc.) is spot-on in its depiction of Kate and Laura’s early girlish hysteria, and quickly overcomes a certain cleverness for its own sake to tell a moving story of teenage passion.
Bittersweet coming-of-age tale with flashes of wit and an especially sympathetic heroine.Pub Date: June 5, 2007
ISBN: 978-1-4165-4013-7
Page Count: 288
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
This is the sort of book that stirs one so deeply that it is almost impossible to attempt to convey the impression it leaves. It is the story of today's Exodus, of America's great trek, as the hordes of dispossessed tenant farmers from the dust bowl turn their hopes to the promised land of California's fertile valleys. The story of one family, with the "hangers-on" that the great heart of extreme poverty sometimes collects, but in that story is symbolized the saga of a movement in which society is before the bar. What an indictment of a system — what an indictment of want and poverty in the land of plenty! There is flash after flash of unforgettable pictures, sharply etched with that restraint and power of pen that singles Steinbeck out from all his contemporaries. There is anger here, but it is a deep and disciplined passion, of a man who speaks out of the mind and heart of his knowledge of a people. One feels in reading that so they must think and feel and speak and live. It is an unresolved picture, a record of history still in the making. Not a book for casual reading. Not a book for unregenerate conservative. But a book for everyone whose social conscience is astir — or who is willing to face facts about a segment of American life which is and which must be recognized. Steinbeck is coming into his own. A new and full length novel from his pen is news. Publishers backing with advertising, promotion aids, posters, etc. Sure to be one of the big books of the Spring. First edition limited to half of advance as of March 1st. One half of dealer's orders to be filled with firsts.
Pub Date: April 14, 1939
ISBN: 0143039431
Page Count: 532
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: April 1, 1939
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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