Never delivers the juicy satisfaction of its precursor.
In this sequel to The Nanny Diaries (2002), Nan Hutchinson moves back to Manhattan and finds herself once more ensnared in the dysfunctional, über-rich world of her former charge.
Ten years older and happily nesting in a Harlem fixer-upper with “Harvard Hottie” hubby Ryan, Nan thinks she’s left behind those surreal days of catering to the offspring of the wealthy. Now she’s occupied with building her fledging management-consulting business and struggling with the idea of starting a family of her own. But late one night, who should arrive at her door but little Grayer X, all grown up into a strapping—and drunk—16-year-old. He’s still smarting over what he saw as her abandonment back when he was only four, he reveals; Nan is stunned and feels a little guilty, even though Grayer is unaware of the extenuating circumstances. Despite being sophisticated beyond his years, the boy is not dealing well with the fact that his long-absent Dad, hedge-fund titan Mr. X, has finally moved out altogether to be with a movie-star mistress. In response, self-absorbed Mrs. X has taken to her bed in a haze of prescription drugs, leaving Grayer responsible for the care of his seven-year-old brother Stilton. Being who she is, Nan cannot help but step in to help the adorable Stilton get into boarding school. This prompts the unnerving gratitude of Mrs. X, who confides that she is suffering from breast cancer. Yikes. In addition to the X family drama, Nan takes a too-good-to-be true gig at a fancy private school full of entitled brats and obsequious staffers somehow involved with the increasingly shady Mr. X’s business. It all winds up with a weekend in the Hamptons, where Nan acts as de facto guardian of both boys, wondering if she really has what it takes to bring kids into the world.
Never delivers the juicy satisfaction of its precursor.Pub Date: Dec. 1, 2009
ISBN: 978-1-4165-8567-1
Page Count: 320
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2009
Florian’s seventh collection of verse is also his most uneven; though the flair for clever rhyme that consistently lights up his other books, beginning with Monster Motel (1993), occasionally shows itself—“Hello, my name is Dracula/My clothing is all blackula./I drive a Cadillacula./I am a maniacula”—too many of the entries are routine limericks, putdowns, character portraits, rhymed lists that fall flat on the ear, or quick quips: “It’s hard to be anonymous/When you’re a hippopotamus.” Florian’s language and simple, thick-lined cartoons illustrations are equally ingenuous, and he sticks to tried-and-true subjects, from dinosaurs to school lunch, but the well of inspiration seems dry; revisit his hilarious Bing Bang Boing (1994) instead. (index) (Poetry. 8-10)
Pub Date: April 1, 1999
ISBN: 0-15-202084-5
Page Count: 158
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Originally published in German in 1962 and touted more recently as a feminist's Robinson Crusoe, this somber classic from prize-winner Haushofer chronicles the experiences of a (nameless) woman cut off from her familiar city ways in a remote hunting lodge, after Armageddon has snuffed out all life in the world beyond. With the woman's diary of activities during the first two years of isolation as foundation, the story assumes the shape and flavor of a journal. Saved from instant death by a transparent, apparently indestructible wall enclosing a substantial area of forest and alpine meadow, the woman finds relief from her isolation in companionship offered by a dog, a cat, kittens, and a cow and her calf, making them into a family that she cares for faithfully and frets over incessantly with each season's new challenges. Crops of potatoes, beans, and hay are harvested in sufficient quantity to keep all alive, with deer providing occasional meat for the table, but the satisfaction of having survived long winters and a halcyon summer is undone by a second sudden and equally devastating catastrophe, which triggers the need in her to tell her story. Although heavy with the repetition of daily chores, the account is also intensely introspective, probing as deeply into the psyche of the woman as it does into her world, which circumstances have placed in a new light. Subtly surreal, by turns claustrophobic and exhilarating, fixated with almost religious fervor on banal detail, this is a disturbing yet rewarding tale in which survival and femininity are strikingly merged. Not for macho readers.
Pub Date: Oct. 1, 1991
ISBN: 0-939416-53-0
Page Count: 244
Publisher: Cleis
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
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