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THE ARCHIVE UNDYING

Intriguing but difficult to follow.

The secret survivor of an AI’s rampage must finally take an active role in the struggle for that AI’s legacy.

On an unnamed planet, artificial intelligences—who would physically interface with select humans trained as archivists—apparently used to have absolute rule over the city-states. But many of these AIs became corrupted, causing carnage and destruction. The human government of the Harbor has salvaged the spare parts of some of these dead AIs and rebuilt them as ENGINEs, mechs under human control. Sunai, a dissipated wanderer who works on salvage rigs, hides the fact that he was once an archivist to the AI Iterate Fractal and that the AI’s corruption while he was interfaced with it has made him seemingly unable to die or suffer permanent physical damage. A drunken encounter with Dr. Veyadi Lut, another former archivist, sets Sunai on a dangerous mission against the Maw, the ENGINE built from the remains of Iterate Fractal. Sunai is forced to confront his troubled past and his conflicted loyalties with old friends and lovers, navigate a complicated new relationship with Veyadi, and contend with the forces marshaled by the Harbor, the Maw, a crime syndicate, and a nameless AI that has become attached to Sunai’s mind. Readers may find themselves desperately searching for more explanatory backstory, which is only partially forthcoming. Interludes told in the second person by at least two different AIs, one of which is supposedly dead (except maybe not?), only add to the confusion. It's not always possible to tell who is narrating or experiencing various moments of the story, as consciousnesses merge and only incompletely separate. There’s definitely some important point being made about the nature of sentience, but it’s not 100% clear what that point is. An author shouldn’t have to overexplain; getting flung into the deep end and figuring out the parameters of a new universe can be a fun genre challenge. But sometimes there is just no clear path out of the pool.

Intriguing but difficult to follow.

Pub Date: June 27, 2023

ISBN: 9781250821546

Page Count: 496

Publisher: Tordotcom

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WHAT WE CAN KNOW

A philosophically charged tour de force by one of the best living novelists in English.

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A gravely post-apocalyptic tale that blends mystery with the academic novel.

McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.

A philosophically charged tour de force by one of the best living novelists in English.

Pub Date: Sept. 23, 2025

ISBN: 9780593804728

Page Count: 320

Publisher: Knopf

Review Posted Online: May 24, 2025

Kirkus Reviews Issue: July 1, 2025

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