Mild in every way but language, this tale of privileged teens offers a fairly satisfying glimpse of an almost alternate...
Many novels for teens tackle too much, but Mills goes another direction, focusing on Sloane's family and new friends to the virtual exclusion of school, work, and what readers are told is her passion for singing.
Fortunately, these friends are smarter, wittier, and way better looking than your average crew. Vera is a social media maven and a lesbian with a girlfriend in college; her twin, Gabe, is best friends with Remy, who just broke up with Aubrey; and then there's Frank, who has presence and sanctions parties. Sloane's father is a well-known novelist who has written popular books that have been made into movies. Writer's block has resulted in the family’s move from New York to this Florida resort town. Fastening onto a TV prime-time soap opera about teen werewolves, he pulls everyone into the show and the fanfic universe surrounding it, resulting in occasional musings about writing. Sloane replaces Aubrey as Vera's bestie, and Remy asks for Sloane's help to understand the breakup. Sloane decides to right the wrong done to Gabe and Vera when their new, young stepmother gives away a meaningful painting done by their deceased artist mother, an immigrant from the Dominican Republic. Obviously, it's not the plot that matters here, but the commentary on writing, art, friendship, love, and facing the future is always entertaining. In addition to Latino Vera and Gabe, Remy is described as dark-skinned; Sloane, Aubrey, and Frank seem to be white.
Mild in every way but language, this tale of privileged teens offers a fairly satisfying glimpse of an almost alternate universe in which mundane life can be ignored. (Fiction. 12-18)Pub Date: Oct. 4, 2016
ISBN: 978-1-62779-935-5
Page Count: 320
Publisher: Henry Holt
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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