A warm depiction of family and of standing up for what you believe in

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SILVER MEADOWS SUMMER

After her father loses his job, 11-year-old Carolina moves with her parents and younger brother, Daniel, from their home in Puerto Rico to upstate New York.

She misses that open, breezy home, the flamboyán tree in the backyard, and the weekly art lessons with Señora Rivón. Carolina can’t seem to relate to her 13-year-old cousin, Gabriela, who is half–Puerto Rican and half-white. Carolina is afraid of losing her Puerto Rican customs, such as leaving Dani’s lost tooth for the Ratoncito Pérez to take instead of the Tooth Fairy. At Tía Cuca and Uncle Porter’s suggestion, Carolina and Dani join Gabriela at a farm day camp called Silver Meadows. She meets Gabriela’s friends and a girl named Jennifer who is also an artist. A friendship between Jennifer and Carolina blooms, and after Carolina finds a small abandoned cottage, Jennifer and Carolina turn the cabin into their artists’ colony, sneaking off to beautify it and make art there whenever they see the opportunity. The possible closure of the summer camp looms large over the plot; as Carolina strives to find a space for herself in Larksville, she also tries to figure a way to save the beloved summer camp. The poetry of Robert Frost, Luis de Léon, and Antonio Machado provides thematic counterpoint within Otheguy’s approachable, empathetic, third-person narrative.

A warm depiction of family and of standing up for what you believe in . (Fiction. 8-12)

Pub Date: April 30, 2019

ISBN: 978-1-5247-7323-6

Page Count: 240

Publisher: Knopf

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded.

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THE ONE AND ONLY BOB

Tiny, sassy Bob the dog, friend of The One and Only Ivan (2012), returns to tell his tale.

Wisecracking Bob, who is a little bit Chihuahua among other things, now lives with his girl, Julia, and her parents. Happily, her father works at Wildworld Zoological Park and Sanctuary, the zoo where Bob’s two best friends, Ivan the gorilla and Ruby the elephant, live, so Bob gets to visit and catch up with them regularly. Due to an early betrayal, Bob doesn’t trust humans (most humans are good only for their thumbs); he fears he’s going soft living with Julia, and he’s certain he is a Bad Dog—as in “not a good representative of my species.” On a visit to the zoo with a storm threatening, Bob accidentally falls into the gorilla enclosure just as a tornado strikes. So that’s what it’s like to fly. In the storm’s aftermath, Bob proves to everyone (and finally himself) that there is a big heart in that tiny chest…and a brave one too. With this companion, Applegate picks up where her Newbery Medal winner left off, and fans will be overjoyed to ride along in the head of lovable, self-deprecating Bob on his storm-tossed adventure. His wry doggy observations and attitude are pitch perfect (augmented by the canine glossary and Castelao’s picture dictionary of dog postures found in the frontmatter). Gorilla Ivan described Julia as having straight, black hair in the previous title, and Castelao's illustrations in that volume showed her as pale-skinned. (Finished art not available for review.)

With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded. (afterword) (Fiction. 8-12)

Pub Date: May 5, 2020

ISBN: 978-0-06-299131-7

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 25, 2020

Kirkus Reviews Issue: April 15, 2020

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For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

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BROWN GIRL DREAMING

A multiaward–winning author recalls her childhood and the joy of becoming a writer.

Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

Pub Date: Aug. 28, 2014

ISBN: 978-0-399-25251-8

Page Count: 336

Publisher: Nancy Paulsen Books

Review Posted Online: June 25, 2014

Kirkus Reviews Issue: July 15, 2014

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