by Emma Stonex ‧ RELEASE DATE: Nov. 11, 2025
This thriller demonstrates on nearly every page the power of the written word.
On the day of a prisoner’s release, a woman sets out to settle an old score.
“The week I shot a man clean through the head began like any other.” With that opening sentence, Stonex plunges us into the mind and world of Bridget “Birdie” Keller, a wife and mother in the rural countryside of Wiltshire, England. But Birdie’s world is not quite so tranquil: 18 years earlier, a man was incarcerated for killing Birdie’s half sister, Providence, and this is the day of his release, a day that Birdie has prepared for. Just as Birdie’s voice settles in comfortably, a second narrator emerges. James Maguire is the man convicted of killing Providence, and his voice and story prove to be just as immersive as Birdie’s. Shaped by Stonex’s skillful hands, a compelling picture emerges spanning the decades from 1947 to 1989. In a small Devon village where everyone knows everyone else’s business, the lives of several kids are ineluctably entwined. Some of their interconnections are due to Birdie’s kind, caring grandmother. Gamma raised Birdie and Providence after their mother abandoned them, and she welcomed James into her home at a critical time. Though the makeshift family initially works well, miscommunication and outright lies quickly set in. Stonex’s success doesn’t lie solely in the creation of two riveting narrators. She weaves evocative imagery throughout the text, from a piece of knitting “messy as a jellyfish” to a carpet stain shaped like the Isle of Wight and the titular Sunshine Man, a wooden scarecrow doubling as an ad for Yellowfields Seed Oil.
This thriller demonstrates on nearly every page the power of the written word.Pub Date: Nov. 11, 2025
ISBN: 9781984882189
Page Count: 320
Publisher: Viking
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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More About This Book
SEEN & HEARD
by David Baldacci ‧ RELEASE DATE: April 14, 2026
Filled with action, violence, and more twists than a bag of pretzels.
Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.
Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.
Filled with action, violence, and more twists than a bag of pretzels.Pub Date: April 14, 2026
ISBN: 9781538758021
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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