Trevayne’s debut showcases a creative concept, skillful dialogue and vivid characters.

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CODA

In a dystopian future where music is a corporate-controlled mind-altering substance, an illegal underground band revolts through pure music.

It started with specially encoded music that provided pain relief when pharmaceutical medicines ran short. By the time Anthem comes of age, music has gone beyond medical and even recreational uses. It’s how the Corp controls the population. All citizens are legally required to be music addicts, craving it even though it eventually destroys them. Lower-class citizens like Anthem are further destroyed by working as conduits, plugging their bodies into machines to power the Corp’s Grid with their energy. Anthem’s only reasons for living are protecting his younger siblings, comforting his dying father, spending time with his not-quite girlfriend and playing real, unencoded music in a secret underground band. Despite conflicting opinions on whether the band should risk playing for audiences, they stay private—until one of their own is killed immediately upon listening to a corporate music track. Anthem strikes back through his music in illegal concerts, planning a revolution. A betrayal endangers everyone Anthem loves, forcing him to make difficult choices. The fictional world doesn’t hold up to close scrutiny, but the quick pace conceals it well. Anthem’s personal connections to the richly written cast make the character-driven plot sing.

Trevayne’s debut showcases a creative concept, skillful dialogue and vivid characters. (Science fiction. 13 & up)

Pub Date: May 7, 2013

ISBN: 978-0-7624-4728-2

Page Count: 320

Publisher: Running Press

Review Posted Online: March 20, 2013

Kirkus Reviews Issue: April 15, 2013

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Skip this uninspired entry into the world of medieval love and court intrigue.

THE BETROTHED

From the Betrothed series , Vol. 1

In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.

The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.

Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)

Pub Date: May 5, 2020

ISBN: 978-0-06-229163-9

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Feb. 5, 2020

Kirkus Reviews Issue: March 1, 2020

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Busy, busy, busy…with portents of doom.

CHAIN OF GOLD

From the Last Hours series , Vol. 1

Clare’s (Ghosts of the Shadow Market, 2019, etc.) latest is set in the Shadowhunter world in the 20th century’s first decade (with frequent flashbacks to the previous one).

Teenage offspring of the Herondales, Carstairs, Fairchilds, and other angel-descended Nephilim continue their families’ demon-fighting ways amid a round of elegant London balls, soirees, salons, picnics, and romantic intrigues. James Herondale, 17-year-old son of Will and Tessa, finds himself and his “perfectly lethal dimple” hung up between two stunning new arrivals: Cordelia Carstairs, red-haired Persian/British wielder of a fabled magic sword, and Grace Blackthorn, an emotionally damaged but (literally, as the author unsubtly telegraphs) spellbinding friend from childhood. Meanwhile, a sudden outbreak of demonic attacks that leave more and more Shadowhunters felled by a mysterious slow poison plunges James and a cohort of allies into frantic searches for both a cause and an antidote. Ichor-splashed encounters with ravening boojums and even one of hell’s own princes ensue—all leading to final hints of a devastating scheme to destroy the Nephilim in which James himself is slated to play a central role. Characters have a range of skin tones, but ethnic diversity adds no texture to the portrayals; there is a lesbian cousin who wears traditionally male clothing and two young gay men (one tortured, the other less so).

Busy, busy, busy…with portents of doom. (Fantasy. 14-18)

Pub Date: March 3, 2020

ISBN: 978-1-4814-3187-3

Page Count: 624

Publisher: McElderry

Review Posted Online: Jan. 23, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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