Simplistic at best, misleading at worst, and addressed mostly to grown-ups, notwithstanding the picture-book format.

WHY DO I HAVE TO EAT MY GREENS?

BIG ISSUES FOR LITTLE PEOPLE ABOUT HEALTH AND WELL BEING

From the Life and Soul Library series

Two clinical child psychologists reinterpret a dozen childhood minirebellions as requests for information on topics from bathing and bedwetting to the titular veggies.

Taking a utilitarian tone from the outset, this discussion guide opens with general instructions for adult book-sharers (“Step 3: Direct the child’s attention to the illustration…”), then goes on to present 12 common domestic scenarios. Each of these features a large cartoon illustration, a short written narrative, three leading discussion questions (“How do you think Ibrahim feels about brushing his teeth?”), and further advice to parents. None of the common queries here are on the level of “Where did I come from?” but some, such as “Why can’t I wet the bed?” or “Why can’t I have some of your wine?” will likely require actions or responses that are beyond the scope of this cut-and-dried format (“Because I said so!” is not an offered option). The five children are racially diverse, but Yuki’s and her mom’s exaggeratedly slanted eyes and yellow skin come dangerously close to stereotype. For the already uninformed query “Why do I have to wear sunscreen when it’s sunny?” light-skinned Angus on the beach turns a particularly alarming shade of red.

Simplistic at best, misleading at worst, and addressed mostly to grown-ups, notwithstanding the picture-book format. (select print and web resources) (Informational picture book. 3-8)

Pub Date: July 1, 2016

ISBN: 978-1-84780-865-3

Page Count: 32

Publisher: Frances Lincoln

Review Posted Online: May 14, 2016

Kirkus Reviews Issue: June 1, 2016

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Safe to creep on by.

LOVE FROM THE VERY HUNGRY CATERPILLAR

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 2, 2021

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A pro-girl book with illustrations that far outshine the text. (Picture book. 3-7)

I AM ENOUGH

A feel-good book about self-acceptance.

Empire star Byers and Bobo offer a beautifully illustrated, rhyming picture book detailing what one brown-skinned little girl with an impressive Afro appreciates about herself. Relying on similes, the text establishes a pattern with the opening sentence, “Like the sun, I’m here to shine,” and follows it through most of the book. Some of them work well, while others fall flat: “Like the rain, I’m here to pour / and drip and fall until I’m full.” In some vignettes she’s by herself; and in others, pictured along with children of other races. While the book’s pro-diversity message comes through, the didactic and even prideful expressions of self-acceptance make the book exasperatingly preachy—a common pitfall for books by celebrity authors. In contrast, Bobo’s illustrations are visually stunning. After painting the children and the objects with which they interact, such as flowers, books, and a red wagon, in acrylic on board for a traditional look, she scanned the images into Adobe Photoshop and added the backgrounds digitally in chalk. This lends a whimsical feel to such details as a rainbow, a window, wind, and rain—all reminiscent of Harold and the Purple Crayon. Bobo creates an inclusive world of girls in which wearing glasses, using a wheelchair, wearing a head scarf, and having a big Afro are unconditionally accepted rather than markers for othering.

A pro-girl book with illustrations that far outshine the text. (Picture book. 3-7)

Pub Date: March 6, 2018

ISBN: 978-0-06-266712-0

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 3, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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