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I AM NOT AN OCTOPUS

An engaging and humorous lesson about diving in and facing your worst fears.

What’s a “regular guy” with eight arms doing on land?

Imagine bumping into a “regular guy with a few extra arms who happens to love tuna” at the grocery store. His name is Terry, and he is not an octopus. If he were, he’d be in the sea, unless he were afraid of water, which he is “absolutely not.” But an encounter with lawn sprinklers reveals the truth. Terry still denies being an octopus but admits that he would love to learn to swim and asks readers to teach him. At the pool, Terry is full of questions. “Do I keep my mouth open or shut? Should I try to sink to the bottom or float on the top?” At the pool’s edge, Terry cuts a terrified figure. “Help! What do I do? You’re SUPPOSED TO BE TEACHING ME!” Luckily, Terry is a natural, and he finally owns his octopus identity. The interactive text is dramatic and funny—and sure to affirm readers with their own worries. The palette of the cartoonish images changes as the story progresses, from greens and browns on land to decidedly aqua poolside colors to vibrant coral reef hues under the sea. Be sure to look for the numeral 8, hidden in plain sight in many illustrations. Human characters are mostly light-skinned. (This book was reviewed digitally.)

An engaging and humorous lesson about diving in and facing your worst fears. (Picture book. 3-6)

Pub Date: Feb. 14, 2023

ISBN: 978-1-5362-2505-1

Page Count: 32

Publisher: Candlewick

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE RUNAWAY PIGGY / EL COCHINITO FUGITIVO

The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)

Pub Date: Nov. 30, 2010

ISBN: 978-1-55885-586-1

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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