A performance starring a complex heroine that’s not quite worthy of an encore, but good enough to see through to the end.
A teenage girl finds herself by playing other characters in this debut YA novel.
After yet another move in her parents’ hectic life, Hannah Fields is nervous at first about starting at a new high school in the small East Coast town of Preston. But she quickly secures her place there by becoming best friends with the town troublemaker, Katie Pauley. The two bond over their illicit addictions—sex for Katie, alcohol for Hannah—and their love of intimidating teachers and students alike in the classroom. But when Hannah’s disinterest in her studies lands her in summer school, she meets one teacher who refuses to be scared away. Lincoln Dollar is just beginning his career as a high school English teacher, but his previous career was long and colorful. He deals with a hooked prosthetic in place of a hand, and a lot of bad memories from the military, but his heart belongs to the theater. When Preston Valley Union High School adds a drama program, making Lincoln the head of it, Hannah realizes she adores the theater, despite frequent battles with stage fright. She also discovers a love for Lincoln. The two begin an ill-advised but passionate romance that will shape Hannah’s life for years to come. Beauregard’s story unfolds in a series of acts, rather than chapters, which are in turn made of vivid scenes strung together by exposition and flashbacks. The characters are well-rounded, though Hannah suffers from the same ills as many a teenage protagonist—she is shallow, selfish, and unlikable. While she evolves over the course of the book as she grows in maturity, the changes may happen too late for less patient readers. A teacher-student relationship—with the attendant age gap and ethical questions—may also be an uncomfortable development for some. Others may simply enjoy the light literary narration, with such sentences as “Silence, like Seattle fog, had settled in Lauren’s den.”
A performance starring a complex heroine that’s not quite worthy of an encore, but good enough to see through to the end.Pub Date: June 28, 2016
ISBN: 978-0-692-50529-8
Page Count: 350
Publisher: Laughing Gull Publishing
Review Posted Online: Sept. 22, 2016
Review Program: Kirkus Indie
A short, simple, and sweet tale about two friends and a horse.
A novel tells the story of two spirited girls who set out to save a lame foal in 1952.
Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.
A short, simple, and sweet tale about two friends and a horse.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Hastings Creations Group
Review Posted Online: Oct. 15, 2016
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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