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WASTED BEAUTY

The lovers’ high-wire act, in the final third, is gripping, the earlier stuff, like Reba copping drugs, merely titillating....

Farm girl becomes supermodel in actor Bogosian’s dark, raunchy second novel (after Mall, 2000), about sex and drugs in the big city.

Reba Cook is 20 when she loses both parents to cancer, leaving her alone with older brother Billy on their failing farm in upstate New York. She gets no comfort from her brother, a hard-drinking bully ashamed of lusting after her, or from her new boss, Frank, a bank manager unhappy with her oral sex technique. One Saturday in the city, selling their apples at the market alongside Billy, she allows herself to be picked up. The guy deflowers and discards her in short order. A second guy hits on her at a McDonald’s, and this time Reba lucks out. Paul is a fashion photographer who sees the potential in this leggy blonde with beautiful eyes. In a heartbeat, she has an agency contract and becomes an overnight sensation. But this isn’t just Reba’s story. There’s also Rick, a 45-year-old doctor with a lucrative private practice, a happy family in the burbs, and a raging midlife crisis. He has a swell wife in Laura and two sweet kids, yet he yearns to run wild, though so far all he has managed is a Portnoyesque involvement with his penis (there are three masturbation scenes). He gets a shot at liberation when Billy becomes his patient. If Reba has ascended to its heights, Billy has hurtled implausibly into the city’s depths, and, now a violent derelict, he’s been razor-slashed by drug dealers. Late in the story, Rick and Reba meet to discuss her brother. Reba is snorting heroin and sleeping around, and reckless doctor and needy model launch themselves into a grand passion. Will it consume them?

The lovers’ high-wire act, in the final third, is gripping, the earlier stuff, like Reba copping drugs, merely titillating. Not surprisingly, Bogosian has a fine ear: more dialogue and fewer interior monologues might have made for a leaner, more powerful tale.

Pub Date: May 1, 2005

ISBN: 0-7432-3588-6

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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