Resembling a cross between John Wyndham and Bob Shaw: Beautifully rendered and quietly effective, though once you get the...
Near-future alien-contact story cycle from British author Brown (Helix, 2007, etc.) comprising nine previously published pieces plus three originals (one a collaboration) and other linked material that connects the various stories into an approximation of a novel.
The Kéthani announce themselves by instantaneously erecting huge crystal monuments, later known as Onward Stations, all over the world. Their gift is immortality: Anybody that receives one of their implants will be resurrected and given the choice of returning to Earth or journeying among the stars as ambassadors. The returnees are psychologically improved, too; the crime rate among them is zero. Many cultures at first react violently, but as the years pass this dwindles into insignificance. These developments are filtered through the stories told by a group of friends in the local pub in a Yorkshire village, including the sometime narrator, doctor Khalid Azzam. One of the friends, Richard Lincoln, becomes a ferryman, that is, he collects the implanted ones after death and transmits them to the Kéthani starship for resurrection. Richard’s wife, Barbara, hates and fears the Kéthani, and resists implantation—until she has a deathbed conversion. Local detective Doug Standish ponders the impossible murder of a woman who didn’t really seem to exist. Khalid, probably the least convincing character, grows angry and resentful at his wife Zara’s intellectual growth; they part, and Khalid commits suicide while contriving to make it look like a murder.
Resembling a cross between John Wyndham and Bob Shaw: Beautifully rendered and quietly effective, though once you get the idea the impact diminishes.Pub Date: May 1, 2008
ISBN: 978-1-84416-473-8
Page Count: 304
Publisher: Solaris/BL Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
For those who like their science fiction dense, monumental, and a bit overwrought.
Brown is back with Book 4 of his Red Rising series (Morning Star, 2016, etc.) and explores familiar themes of rebellion, revenge, and political instability.
This novel examines the ramifications and pitfalls of trying to build a new world out of the ashes of the old. The events here take place 10 years after the conclusion of Morning Star, which ended on a seemingly positive note. Darrow, aka Reaper, and his lover, Virginia au Augustus, aka Mustang, had vanquished the Golds, the elite ruling class, so hope was held out that a new order would arise. But in the new book it becomes clear that the concept of political order is tenuous at best, for Darrow’s first thoughts are on the forces of violence and chaos he has unleashed: “famines and genocide...piracy...terrorism, radiation sickness and disease...and the one hundred million lives lost in my [nuclear] war.” Readers familiar with the previous trilogy—and you'll have to be if you want to understand the current novel—will welcome a familiar cast of characters, including Mustang, Sevro (Darrow’s friend and fellow warrior), and Lysander (grandson of the Sovereign). Readers will also find familiarity in Brown’s idiosyncratic naming system (Cassius au Bellona, Octavia au Lune) and even in his vocabulary for cursing (“Goryhell,” “Bloodydamn,” “Slag that”). Brown introduces a number of new characters, including 18-year-old Lyria, a survivor of the initial Rising who gives a fresh perspective on the violence of the new war—and violence is indeed never far away from the world Brown creates. (He includes one particularly gruesome gladiatorial combat between Cassius and a host of enemies.) Brown imparts an epic quality to the events in part by his use of names. It’s impossible to ignore the weighty connotations of characters when they sport names like Bellerephon, Diomedes, Dido, and Apollonius.
For those who like their science fiction dense, monumental, and a bit overwrought.Pub Date: Jan. 16, 2018
ISBN: 978-0-425-28591-6
Page Count: 624
Publisher: Random House
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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