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LOVE YOUR ASIAN BODY

AIDS ACTIVISM IN LOS ANGELES

A mix of illuminating, though often dry, organizational lore and vibrant personal reflections on the war against AIDS.

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A labyrinthine study that recounts the struggle to mobilize Asian American communities against the AIDS epidemic in Los Angeles.

Wat, the author of The Making of a Gay Asian Community (2002), bases his history on interviews with 36 mainly Asian American activists, mostly connected with the Asian Pacific AIDS Intervention Team—a group that did feisty, innovative work in AIDS education and organizing in LA in the 1980s and ’90s. Their activities included distributing safer-sex kits, staging explicit sex education sessions with simulated sex acts, and launching an ad campaign to promote HIV testing with images of gay and lesbian Asian people embracing above the slogan “Love Your Asian Body.” Wat takes a deep dive into APAIT’s history and its challenges, such as trying to connect in culturally appropriate ways with Asian immigrants who didn’t speak English; confronting homophobia in conservative immigrant communities that prevented gay Asians from discussing their needs or seeking medical treatment; and debunking a widespread impression that Asians didn’t get AIDS and were possibly immune to it—or that gay Asians didn’t exist. In this loose-limbed narrative, Wat’s interviewees, starting with Gil Mangaoang, one of APAIT’s managers on staff in the ’90s, discuss their journeys toward activism, the difficulties of gaining acceptance from older and stodgier gay organizations, the surprisingly cutthroat office politics of the nonprofit sector, and intersectional issues. At one APAIT fundraiser, for instance, the ill-advised entertainment was a drag skit that spoofed domestic violence between pop stars Ike and Tina Turner for laughs, which elicited furious denunciations of gay male sexism from lesbian attendees.

Much of the book is a saga of institutional development that delves into budgeting, hiring personnel, management structures, employee relations, and complying with the paperwork demanded by government funding agencies. Poignantly, it climaxes in APAIT’s transformation into a well-funded, impeccably credentialed professional agency that jettisons the scrappy, anti-establishment activist ethos that put it on the map. It’s an unusually detailed look at the nuts and bolts of the nonprofit sector, and readers interested in the business and culture of the social work industry will find it valuable. However, Wat’s recap bogs down in thickets of minutiae and organizational acronyms, written in prose that sometimes feels as perfunctory as a newsletter: “APAIT, LAAPIS, and GAPSN would often cosponsor social events like dances and screenings of films with LGBTQ and Asian” content for “the Los Angeles Asian Pacific Film Festival (organized by Visual Communications around late April and early May).” More compelling are the interviewees’ intimate observations as they relate coming-out dramas, grieving remembrances of loved ones, defiant paeans to sexual fulfillment, and brash, in-your-face riffs on their determination to explode bourgeois propriety: “We were the ones that were boldly talking about sex in the Asian American community when no one wanted to talk about it,” says Lisa Hasegawa, a former administrative assistant at the Asian Pacific Heath Care Venture organization. In these voices, readers will hear the exuberant energy that powered the movement.

A mix of illuminating, though often dry, organizational lore and vibrant personal reflections on the war against AIDS.

Pub Date: Feb. 15, 2022

ISBN: 978-0-295-74932-7

Page Count: 304

Publisher: University of Washington Press

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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UNFETTERED

For fans only.

The hoodie-and-shorts-clad Pennsylvania senator blends the political and personal, and often not nicely.

Fetterman’s memoir addresses three major themes. The first—and the one he leads with—is depression and mental illness, which, combined with a stroke and heart trouble, brought him to a standstill and led him to contemplate suicide. The second is his rise to national-level politics from a Rust Belt town; as he writes, he’s carved a path as a contentious player with a populist streak and a dislike for elites. There are affecting moments in his personal reminiscences, especially when he writes of the lives of his working-class neighbors in impoverished southwestern Pennsylvania, its once-prosperous Monongahela River Valley “the most heartbreaking drive in the United States.” It’s the third element that’s problematic, and that’s his in-the-trenches account of daily politics. One frequent complaint is the media, as when he writes of one incident, “I am not the first public figure to get fucked by a reporter, and I won’t be the last. What was eye-opening was the window it gave into how people with disabilities navigate a world that doesn’t give a shit.” He reserves special disdain for his Senate race opponent Mehmet Oz, about whom he wonders, “If I had run against any other candidate…would I have lost? He got beaten by a guy recovering from a stroke.” Perhaps so, and Democratic stalwarts will likely be dismayed at his apparent warmish feelings for Donald Trump and dislike of his own party’s “performative protests.” If Fetterman’s book convinces a troubled soul to seek help, it will have done some good, but it’s hard to imagine that it will make much of an impression in the self-help literature. One wonders, meanwhile, at sentiments such as this: “If men are forced to choose between picking their party or keeping their balls, most men are going to choose their balls.”

For fans only.

Pub Date: Nov. 11, 2025

ISBN: 9780593799826

Page Count: 240

Publisher: Crown

Review Posted Online: Nov. 17, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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