A mix of illuminating, though often dry, organizational lore and vibrant personal reflections on the war against AIDS.
A labyrinthine study that recounts the struggle to mobilize Asian American communities against the AIDS epidemic in Los Angeles.
Wat, the author of The Making of a Gay Asian Community (2002), bases his history on interviews with 36 mainly Asian American activists, mostly connected with the Asian Pacific AIDS Intervention Team—a group that did feisty, innovative work in AIDS education and organizing in LA in the 1980s and ’90s. Their activities included distributing safer-sex kits, staging explicit sex education sessions with simulated sex acts, and launching an ad campaign to promote HIV testing with images of gay and lesbian Asian people embracing above the slogan “Love Your Asian Body.” Wat takes a deep dive into APAIT’s history and its challenges, such as trying to connect in culturally appropriate ways with Asian immigrants who didn’t speak English; confronting homophobia in conservative immigrant communities that prevented gay Asians from discussing their needs or seeking medical treatment; and debunking a widespread impression that Asians didn’t get AIDS and were possibly immune to it—or that gay Asians didn’t exist. In this loose-limbed narrative, Wat’s interviewees, starting with Gil Mangaoang, one of APAIT’s managers on staff in the ’90s, discuss their journeys toward activism, the difficulties of gaining acceptance from older and stodgier gay organizations, the surprisingly cutthroat office politics of the nonprofit sector, and intersectional issues. At one APAIT fundraiser, for instance, the ill-advised entertainment was a drag skit that spoofed domestic violence between pop stars Ike and Tina Turner for laughs, which elicited furious denunciations of gay male sexism from lesbian attendees.
Much of the book is a saga of institutional development that delves into budgeting, hiring personnel, management structures, employee relations, and complying with the paperwork demanded by government funding agencies. Poignantly, it climaxes in APAIT’s transformation into a well-funded, impeccably credentialed professional agency that jettisons the scrappy, anti-establishment activist ethos that put it on the map. It’s an unusually detailed look at the nuts and bolts of the nonprofit sector, and readers interested in the business and culture of the social work industry will find it valuable. However, Wat’s recap bogs down in thickets of minutiae and organizational acronyms, written in prose that sometimes feels as perfunctory as a newsletter: “APAIT, LAAPIS, and GAPSN would often cosponsor social events like dances and screenings of films with LGBTQ and Asian” content for “the Los Angeles Asian Pacific Film Festival (organized by Visual Communications around late April and early May).” More compelling are the interviewees’ intimate observations as they relate coming-out dramas, grieving remembrances of loved ones, defiant paeans to sexual fulfillment, and brash, in-your-face riffs on their determination to explode bourgeois propriety: “We were the ones that were boldly talking about sex in the Asian American community when no one wanted to talk about it,” says Lisa Hasegawa, a former administrative assistant at the Asian Pacific Heath Care Venture organization. In these voices, readers will hear the exuberant energy that powered the movement.
A mix of illuminating, though often dry, organizational lore and vibrant personal reflections on the war against AIDS.Pub Date: Feb. 15, 2022
ISBN: 978-0-295-74932-7
Page Count: 304
Publisher: University of Washington Press
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Review Program: Kirkus Indie
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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