DARE ME

Fully attuned to the adrenaline-fueled appeal of dares, Devine deftly conveys the dire consequences that can ensue once the first step is taken.

Ben, a perfectly normal high school senior, and his buddies Ricky and John pull an amazing stunt, which they post anonymously on YouTube, hoping for “weblebrity.” What comes their way is a contract promising them money if they continue to do ever-more-dangerous dares. When not filming dares, narrator Ben works as a pizza-delivery guy and longs for popular co-worker Alexia, who’s attached to a bad boy. His reflections on physics, English class and math become more penetrating as the ante ups with each completed dare. Adding in cameraman Trevor changes the equation only a little. Trev is a nerd and a target for bullies, but he’s also exceptionally smart and a quick thinker. As the stunts continue, Ben begins to have his doubts. Further complicating matters, Ben’s dad is out of work, and Ben’s sister wants to do a paper on their macho antics for her college psychology class. Devine’s examination of the teenage boy’s need for adrenaline is admirably complex, and he frames it within an engaging and realistically foulmouthed narrative. Ben reflects, “This is larger than us, and we’re already in motion and gaining speed. The natural course is to let this run take us where it’s going. There are no brakes in freefall.”

Astute and riveting. (Fiction. 12 & up)

Pub Date: Oct. 8, 2013

ISBN: 978-0-7624-5015-2

Page Count: 352

Publisher: Running Press Teens

Review Posted Online: July 31, 2013

Kirkus Reviews Issue: Aug. 15, 2013

Did you like this book?

No Comments Yet

Riveting, brutal and beautifully told.

Reader Votes

  • Readers Vote
  • 29

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

Did you like this book?

Engrossing, contemplative, and as heart-wrenching as the title promises.

Reader Votes

  • Readers Vote
  • 37

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • New York Times Bestseller

  • IndieBound Bestseller

THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

Did you like this book?

more