A sometimes turgid, sometimes beguiling fantasy of spiritual awakening through creativity.
A woodcarver’s sacred project unites Druids and Christians in artistic communion in this soulful fantasy adventure.
It’s the year 99 C.E., and the Gaulish townsfolk of Carnotum—present-day site of the cathedral of Chartres in France—are suffering under the jackboot of the Roman Empire, which is intent on stamping out worship of their Celtic gods. When the Black Virgin, an ancient wooden statue of a divine mother and child, gets vandalized, the Druidic priest Bryok asks young woodcarver Caradoc to sculpt a replacement. The assignment poses dangers—he’s menaced by Carnotum’s chieftain Turi, who wants to carve the statue himself—and pitches Caradoc into a labyrinth of occult experience. He is supervised by a veiled woman named Lavena, aka Crunarch, “the keeper of the flame,” who provides him with candles, lightning-felled wood, consecrated tools, and a studio in a forest grotto and drives off marauding Romans with her whip. To help him visualize the Black Virgin, Caradoc consults Kailex, a seeress who goes into a trance to narrate a prehistoric Celtic migration out of an Atlantis-like drowned continent, and the bard Érimón, who sings of the baptism of the Black Virgin. With the sculpture in hand, Caradoc learns that Lavena has been captured by the Romans. He rushes to save her from slavery. Müller’s yarn blends Christian legend with pagan mythology to assimilate the Virgin Mary into a tradition of “earth mothers,” from the Greek goddess Artemis to the Egyptian deity Isis. Apart from some scuffles and a vivid, well-drawn scene of a degrading slave auction, the drama here is mainly emotional, religious, and very female centered. The novel’s mystical effusions—“With the blood from the sacred crucible, the blood that is my blood, that is His blood, that is our blood, I dedicate this place to the eternal feminine within all human beings”—sometimes go on too long. But Müller’s workmanlike, slyly lyrical prose—“he picked up a handful of tiny pebbles and threw them indifferently over the lake, listening to them plop, disrupting the water’s flawless surface and sounding like a clutch of elves clapping”—gives an enchanting folkloric sparkle to Caradoc’s world.
A sometimes turgid, sometimes beguiling fantasy of spiritual awakening through creativity.Pub Date: Dec. 18, 2019
ISBN: 978-1-73401-702-1
Page Count: 322
Publisher: Alkion Press
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: May 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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