A sometimes turgid, sometimes beguiling fantasy of spiritual awakening through creativity.
A woodcarver’s sacred project unites Druids and Christians in artistic communion in this soulful fantasy adventure.
It’s the year 99 C.E., and the Gaulish townsfolk of Carnotum—present-day site of the cathedral of Chartres in France—are suffering under the jackboot of the Roman Empire, which is intent on stamping out worship of their Celtic gods. When the Black Virgin, an ancient wooden statue of a divine mother and child, gets vandalized, the Druidic priest Bryok asks young woodcarver Caradoc to sculpt a replacement. The assignment poses dangers—he’s menaced by Carnotum’s chieftain Turi, who wants to carve the statue himself—and pitches Caradoc into a labyrinth of occult experience. He is supervised by a veiled woman named Lavena, aka Crunarch, “the keeper of the flame,” who provides him with candles, lightning-felled wood, consecrated tools, and a studio in a forest grotto and drives off marauding Romans with her whip. To help him visualize the Black Virgin, Caradoc consults Kailex, a seeress who goes into a trance to narrate a prehistoric Celtic migration out of an Atlantis-like drowned continent, and the bard Érimón, who sings of the baptism of the Black Virgin. With the sculpture in hand, Caradoc learns that Lavena has been captured by the Romans. He rushes to save her from slavery. Müller’s yarn blends Christian legend with pagan mythology to assimilate the Virgin Mary into a tradition of “earth mothers,” from the Greek goddess Artemis to the Egyptian deity Isis. Apart from some scuffles and a vivid, well-drawn scene of a degrading slave auction, the drama here is mainly emotional, religious, and very female centered. The novel’s mystical effusions—“With the blood from the sacred crucible, the blood that is my blood, that is His blood, that is our blood, I dedicate this place to the eternal feminine within all human beings”—sometimes go on too long. But Müller’s workmanlike, slyly lyrical prose—“he picked up a handful of tiny pebbles and threw them indifferently over the lake, listening to them plop, disrupting the water’s flawless surface and sounding like a clutch of elves clapping”—gives an enchanting folkloric sparkle to Caradoc’s world.
A sometimes turgid, sometimes beguiling fantasy of spiritual awakening through creativity.Pub Date: Dec. 18, 2019
ISBN: 978-1-73401-702-1
Page Count: 322
Publisher: Alkion Press
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: May 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.
When Vis is copied into two other realities, he must stop a god from repeatedly culling almost everyone back home.
Thousands of years ago, to prevent the Concurrence from enslaving everyone, the world was split into three near-identical copies: Res, Obiteum, and Luceum. To exist in all three worlds, to wield Will there, is to achieve synchronism. After the events in The Will of the Many (2023), which cost Vis his arm and the life of his friend, Vis achieves Synchronism. While Res-Vis must continue to play Hierarchy politics to find his friend’s killer, Obiteum-Vis finds a ruined world, where the dead are reanimated and used by Ka, the Concurrence, and the only other person to exist in synchronism. Meanwhile, Luceum-Vis is forced into a dispute between druids, their High Council, and their kings—with one king intent on killing him—and Vis has no idea why. On all worlds, Vis is as shrewd as ever, weighing his options, planning ahead, and doing what he must to survive. However, he, too, slowly diverges, doing things he swore he never would: cede his Will, use Will to control someone else, and reveal his true name. If at least one Vis cannot use his synchronism and power of Will to kill the Concurrence, no Vis will be safe, and another Cataclysm will cull those he loves on Res. Book Two of the Hierarchy series is a speculative fantasy that is at once Egyptian post-apocalyptic, Celtic medieval, and Roman dystopian, thanks to the multidimensional setting. Although the sprawling narrative at times overextends itself, Islington rewards patient readers with a compelling story, a cast of complex and diverse characters, and a glimpse into how far a good man can go before he’s lost. A symbol at the start of each chapter delineates which world and Vis it’s about. Readers should read The Will of the Many before attempting this volume, or they may be confused for the first several chapters and beyond.
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.Pub Date: Nov. 11, 2025
ISBN: 9781982141233
Page Count: 736
Publisher: Saga/Simon & Schuster
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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