A delightful, compelling fantasy adventure sure to win fans.
In this middle-grade novel, three children journey in a magical boat to help reunite humans with the elemental world.
It’s a sad day for the white Temple family when it has to leave Honey Creek Farm for the city. Before leaving, Julie, 11, and her almost two years younger brother, Leo, make several surprising discoveries, including a little bottle with an exquisitely made tiny ship inside, complete with a swan figurehead. They also meet a little man called Curly Beard, who explains how they can sail in the magical boat. But it’s not a toy; a crucial plan is afoot to save Earth from ecological disaster by reuniting humans with elementals like Curly Beard, “little folk…such as elves, fairies, wights, imps,” and more. (It’s unclear what these Old World beings are doing in what’s apparently North America.) Joining their mission is a new neighbor, Annabel, a pretty black girl around Leo’s age who walks with crutches. Healing the planet begins with aiding the Queen of the Waters, but first, the children must free Curly Beard, who’s been captured. Their path will be filled with danger and difficulty—but the kids have guides, resources, courage, and good hearts to help them. Many writers have tried to conjure up that true feeling of magic in their fantasy adventures, but Müller (Rounding the Cape of Good Hope, 2018, etc.) is one of the few who succeed. Lush, appealing descriptions stand out, as in an area packed with hundreds of captivating temptations that the children must resist: rooms full of sweet songbirds; “every imaginable toy”; intriguing weapons; jugglers and acrobats; and much more. Like C.S. Lewis, Müller offers effective characterizations (some may object to Annabel’s being described as “lame,” but her point of view is represented) and an exciting plot that’s ballasted by moral seriousness. The quest’s puzzles and challenges are original and involving, and the ending is genuinely moving. It also suggests further escapades to come—let’s hope so.
A delightful, compelling fantasy adventure sure to win fans.Pub Date: Dec. 7, 2013
ISBN: 978-1-936367-44-3
Page Count: 336
Publisher: The Association of Waldorf Schools of North America
Review Posted Online: Aug. 13, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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