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THE BIRD MAN AND THE LAP DANCER

CLOSE ENCOUNTERS WITH STRANGERS

The rare traveler who senses the reason why we travel in the first place.

An anthology covering three decades of calculated serendipity.

For San Francisco–based travel writer Hansen (Orchid Fever, 2000, etc.), travel is an endeavor of empathy, and empathy entails a burning cross-cultural curiosity that rewards itself and the reader with memorable examples of human contact on essential, even primitive levels. These skillfully crafted pieces are void of the usual commercial travel flackery; Hansen conjures romantic adventure not by proclaiming it but letting it creep up and tingle on the back of your neck. He has a cartographer’s eye for the contours of the globe, a naturalist’s sense of impending threat in local ecosystems, and—in certain Australian bars on given evenings—a connoisseur’s eye for the lay of the land. His humor springs like a trap: On Thursday Island, off Australia’s Queensland Coast, for example, checking into a hotel room with the door torn off, floor littered with debris, walls scarred by graffiti and vandalism, Hansen dryly wonders “what the meals will be like.” The idea of becoming a smuggler of a certain dried, smoked fish that is an everyday commodity in the Maldive Islands but a prized delicacy central to the cuisine of Sri Lanka hundreds of miles away is easily justified by the Hansen maxim: “the best way to penetrate a culture and mingle with the people was by getting involved with the local economy.” His literally mind-blowing account of the effects of the core narcotic employed in the Melanesian kava-drinking ritual will probably change the minds of some armchair travelers who up to that point had been envious of somebody who didn’t just talk about adventures but kept going out and having them.

The rare traveler who senses the reason why we travel in the first place.

Pub Date: Oct. 12, 2004

ISBN: 0-375-42126-2

Page Count: 240

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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