by Eric James ; illustrated by Marcin Piwowarski ‧ RELEASE DATE: Aug. 1, 2017
Polar Express it ain’t. Skip.
A Polar Express–esque Halloween train ride tailored to Texans.
While out trick-or-treating, the first-person narrator (a pirate in bandanna and eyepatch) and their best friend (a blond-bobbed superhero) are startled when a train on misty tracks descends from the sky. They board for a ride on the Spooky Express. The other passengers include a mummy, a ghost, Frankenstein’s monster, a giant spider, a dragon, and a witch. Once on the train, it’s never clear where the train is going, though several Texas cities and sites are mentioned in the rhyming verses, a subway-line–like map is on the wall (those cities aren’t visited, though), and several Texas landmarks can be spotted through the windows. Ultimately, the two children must save the whole train when the engineer’s head, a pumpkin in which he keeps his brain, falls off his shoulders and must be recovered from Sam Houston Park. Then, it’s back home again. While the rhymes are no great shakes, they do scan well, save one verse that rhymes train with again. Piwowarski’s illustrations use green, purple, and orange to play up the Halloween theme, and there is nothing too frightening for young readers. Both children appear to be white, as do all other human and humanoid characters with one exception. A map of the state is sadly lacking. This Texas edition is one of 78 in the series, covering the 50 states, 18 U.S. and four Canadian cities, and two provinces, among other locales.
Polar Express it ain’t. Skip. (Picture book. 3-8)Pub Date: Aug. 1, 2017
ISBN: 978-1-4926-5314-1
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Eric James ; illustrated by Marina La Ray
by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Erin Guendelsberger ; illustrated by Annelouise Mahoney
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by Erin Guendelsberger ; illustrated by Suzie Mason
by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Alice Walstead ; illustrated by Andy Elkerton
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by Alice Walstead ; illustrated by Andy Elkerton
BOOK REVIEW
by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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