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THE BULLY BOOK

A compelling and unusual look at a complex and intractable problem that succeeds admirably as story as well.

A meticulous anatomy of a bullying victim.

Determinedly normal Eric Haskins is dumbfounded when his best friend, just back from camp, joins with a couple of other boys to call him “Grunt” at the beginning of sixth grade. Pretty soon, Eric is the class pariah; even decent and stalwart Melody turns away. A couple of chance remarks convince Eric that he’s just the latest in a long line of sixth-grade Grunts and that the bullies are actually working from a manual. Readers know that Eric’s right, because interspersed with his journal entries chronicling his miserable year are excerpts from the titular Bully Book, which advises, “You have to create yourself. And to keep yourself safe, you have to create other people too, like the Grunt.” Eric’s quest to uncover the Bully Book is genuinely suspenseful. The juxtaposition of Eric’s journal against the Bully Book allows readers to see both the bullies’ methodology and Eric’s unwitting complicity. Gale gutsily portrays a gloves-off sixth-grade classroom in which variations of “gay” are flung around as insults (a usage that Eric articulately and bravely challenges). While it’s hard to imagine even the numbest substitute teacher routinely allowing a vocabulary lesson to become a bullying opportunity (“Eric Haskins is generally stupid”), the other adults in Eric’s life are convincingly ineffectual or self-deluded.

A compelling and unusual look at a complex and intractable problem that succeeds admirably as story as well. (Fiction. 8-12)

Pub Date: Dec. 26, 2012

ISBN: 978-0-06-212511-8

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 9, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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