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THE BULLY BOOK

A compelling and unusual look at a complex and intractable problem that succeeds admirably as story as well.

A meticulous anatomy of a bullying victim.

Determinedly normal Eric Haskins is dumbfounded when his best friend, just back from camp, joins with a couple of other boys to call him “Grunt” at the beginning of sixth grade. Pretty soon, Eric is the class pariah; even decent and stalwart Melody turns away. A couple of chance remarks convince Eric that he’s just the latest in a long line of sixth-grade Grunts and that the bullies are actually working from a manual. Readers know that Eric’s right, because interspersed with his journal entries chronicling his miserable year are excerpts from the titular Bully Book, which advises, “You have to create yourself. And to keep yourself safe, you have to create other people too, like the Grunt.” Eric’s quest to uncover the Bully Book is genuinely suspenseful. The juxtaposition of Eric’s journal against the Bully Book allows readers to see both the bullies’ methodology and Eric’s unwitting complicity. Gale gutsily portrays a gloves-off sixth-grade classroom in which variations of “gay” are flung around as insults (a usage that Eric articulately and bravely challenges). While it’s hard to imagine even the numbest substitute teacher routinely allowing a vocabulary lesson to become a bullying opportunity (“Eric Haskins is generally stupid”), the other adults in Eric’s life are convincingly ineffectual or self-deluded.

A compelling and unusual look at a complex and intractable problem that succeeds admirably as story as well. (Fiction. 8-12)

Pub Date: Dec. 26, 2012

ISBN: 978-0-06-212511-8

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 9, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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BUILDING 903

A successful call for creating and imagining, even if the story itself falls short.

In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.

Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.

A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)

Pub Date: Sept. 29, 2026

ISBN: 9780063515109

Page Count: 240

Publisher: Clarion/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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