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ESSAYS ON ART AND SCIENCE

A lively, erudite inquiry into the experience of art.

A neuroscientist investigates art.

Winner of the Nobel Prize in Physiology or Medicine in 2000, Kandel (b. 1929) brings his fascination with the intersection of art, psychology, and brain science to essays written over the last 10 years, many in conjunction with museum exhibitions. Throughout, he underscores the significance of the “beholder’s share,” or “the realization that art is incomplete without the perceptual and emotional involvement of the viewer.” Writing about Chaïm Soutine’s use of impasto, Kandel argues that “the use of strong tactile elements in a painting adds an important dimension to the beholder’s response” by translating visual sensation into tactile sensation. Kandel reprises and expands on themes he set forth in The Age of Insight, in which he examined the advent of modernism in Vienna in 1900, “a time and place in which Freud, Schnitzler, Mahler, Schoenberg, Klimt, Kokoschka, Schiele, and many other notable artists and intellectuals lived and worked.” The intellectual and artistic ferment of the time led to theories of mind, including the unconscious, and sexuality that nourished the modernist project. In several essays, Kandel considers particular art forms from the perspective of brain science—e.g., portraiture, which requires the brain to form a representation of the face and body. Sculpture, while involving perception, “calls into play more powerful tactile and kinesthetic sensations than paintings do.” Especially challenging to the viewer is cubism “because it dares our visual system to reconstruct an image that is fundamentally different from the kinds of images our brain evolved to reconstruct.” Abstract art forces the viewer “to devise new ways of exploring the painting, to go beyond recognition and create new personal associations.” Artworks and scientific drawings illustrate Kandel’s penetrating examination of the complex processes that make up the eye of the beholder.

A lively, erudite inquiry into the experience of art.

Pub Date: March 19, 2024

ISBN: 9780231212564

Page Count: 240

Publisher: Columbia Univ.

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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THINKING, FAST AND SLOW

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our...

A psychologist and Nobel Prize winner summarizes and synthesizes the recent decades of research on intuition and systematic thinking.

The author of several scholarly texts, Kahneman (Emeritus Psychology and Public Affairs/Princeton Univ.) now offers general readers not just the findings of psychological research but also a better understanding of how research questions arise and how scholars systematically frame and answer them. He begins with the distinction between System 1 and System 2 mental operations, the former referring to quick, automatic thought, the latter to more effortful, overt thinking. We rely heavily, writes, on System 1, resorting to the higher-energy System 2 only when we need or want to. Kahneman continually refers to System 2 as “lazy”: We don’t want to think rigorously about something. The author then explores the nuances of our two-system minds, showing how they perform in various situations. Psychological experiments have repeatedly revealed that our intuitions are generally wrong, that our assessments are based on biases and that our System 1 hates doubt and despises ambiguity. Kahneman largely avoids jargon; when he does use some (“heuristics,” for example), he argues that such terms really ought to join our everyday vocabulary. He reviews many fundamental concepts in psychology and statistics (regression to the mean, the narrative fallacy, the optimistic bias), showing how they relate to his overall concerns about how we think and why we make the decisions that we do. Some of the later chapters (dealing with risk-taking and statistics and probabilities) are denser than others (some readers may resent such demands on System 2!), but the passages that deal with the economic and political implications of the research are gripping.

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our minds.

Pub Date: Nov. 1, 2011

ISBN: 978-0-374-27563-1

Page Count: 512

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 3, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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THE ART OF THINKING CLEARLY

Hiccups aside, a mostly valuable compendium of irrational thinking, with a handful of blanket corrective maneuvers.

A waggish, cautionary compilation of pitfalls associated with systematic cognitive errors, from novelist Dobelli.

To be human is to err, routinely and with bias. We exercise deviation from logic, writes the author, as much as, and possibly more than, we display optimal reasoning. In an effort to bring awareness to this sorry state of affairs, he has gathered here—in three-page, anecdotally saturated squibs—nearly 100 examples of muddied thinking. Many will ring familiar to readers (Dobelli’s illustrations are not startlingly original, but observant)—e.g., herd instinct and groupthink, hindsight, overconfidence, the lack of an intuitive grasp of probability or statistical reality. Others, if not new, are smartly encapsulated: social loafing, the hourly rate trap, decision fatigue, carrying on with a lost cause (the sunk-cost fallacy). Most of his points stick home: the deformation of professional thinking, of which Mark Twain said, “If your only tool is a hammer, all your problems will be nails”; multitasking is the illusion of attention with potentially dire results if you are eating a sloppy sandwich while driving on a busy street. In his quest for clarity, Dobelli mostly brings shrewdness, skepticism and wariness to bear, but he can also be opaque—e.g., shaping the details of history “into a consistent story...we speak about ‘understanding,’ but these things cannot be understood in the traditional sense. We simply build the meaning into them afterward.” Well, yes. And if we are to be wary of stories, what are we to make of his many telling anecdotes when he counsels, “Anecdotes are a particularly tricky sort of cherry picking....To rebuff an anecdote is difficult because it is a mini-story, and we know how vulnerable our brains are to those”?

Hiccups aside, a mostly valuable compendium of irrational thinking, with a handful of blanket corrective maneuvers.

Pub Date: May 14, 2013

ISBN: 978-0-06-221968-8

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: March 5, 2013

Kirkus Reviews Issue: April 1, 2013

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