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ESSAYS ON ART AND SCIENCE

A lively, erudite inquiry into the experience of art.

A neuroscientist investigates art.

Winner of the Nobel Prize in Physiology or Medicine in 2000, Kandel (b. 1929) brings his fascination with the intersection of art, psychology, and brain science to essays written over the last 10 years, many in conjunction with museum exhibitions. Throughout, he underscores the significance of the “beholder’s share,” or “the realization that art is incomplete without the perceptual and emotional involvement of the viewer.” Writing about Chaïm Soutine’s use of impasto, Kandel argues that “the use of strong tactile elements in a painting adds an important dimension to the beholder’s response” by translating visual sensation into tactile sensation. Kandel reprises and expands on themes he set forth in The Age of Insight, in which he examined the advent of modernism in Vienna in 1900, “a time and place in which Freud, Schnitzler, Mahler, Schoenberg, Klimt, Kokoschka, Schiele, and many other notable artists and intellectuals lived and worked.” The intellectual and artistic ferment of the time led to theories of mind, including the unconscious, and sexuality that nourished the modernist project. In several essays, Kandel considers particular art forms from the perspective of brain science—e.g., portraiture, which requires the brain to form a representation of the face and body. Sculpture, while involving perception, “calls into play more powerful tactile and kinesthetic sensations than paintings do.” Especially challenging to the viewer is cubism “because it dares our visual system to reconstruct an image that is fundamentally different from the kinds of images our brain evolved to reconstruct.” Abstract art forces the viewer “to devise new ways of exploring the painting, to go beyond recognition and create new personal associations.” Artworks and scientific drawings illustrate Kandel’s penetrating examination of the complex processes that make up the eye of the beholder.

A lively, erudite inquiry into the experience of art.

Pub Date: March 19, 2024

ISBN: 9780231212564

Page Count: 240

Publisher: Columbia Univ.

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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THINKING, FAST AND SLOW

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our...

A psychologist and Nobel Prize winner summarizes and synthesizes the recent decades of research on intuition and systematic thinking.

The author of several scholarly texts, Kahneman (Emeritus Psychology and Public Affairs/Princeton Univ.) now offers general readers not just the findings of psychological research but also a better understanding of how research questions arise and how scholars systematically frame and answer them. He begins with the distinction between System 1 and System 2 mental operations, the former referring to quick, automatic thought, the latter to more effortful, overt thinking. We rely heavily, writes, on System 1, resorting to the higher-energy System 2 only when we need or want to. Kahneman continually refers to System 2 as “lazy”: We don’t want to think rigorously about something. The author then explores the nuances of our two-system minds, showing how they perform in various situations. Psychological experiments have repeatedly revealed that our intuitions are generally wrong, that our assessments are based on biases and that our System 1 hates doubt and despises ambiguity. Kahneman largely avoids jargon; when he does use some (“heuristics,” for example), he argues that such terms really ought to join our everyday vocabulary. He reviews many fundamental concepts in psychology and statistics (regression to the mean, the narrative fallacy, the optimistic bias), showing how they relate to his overall concerns about how we think and why we make the decisions that we do. Some of the later chapters (dealing with risk-taking and statistics and probabilities) are denser than others (some readers may resent such demands on System 2!), but the passages that deal with the economic and political implications of the research are gripping.

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our minds.

Pub Date: Nov. 1, 2011

ISBN: 978-0-374-27563-1

Page Count: 512

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 3, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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