Cinematically, lightning strikes an ecclesiastical-looking building even before this wordless book's title spread, on which a bird flies into its barrel-vaulted hall. But this is no church: the figures that top these columns are Mesozoic, not medieval, while the dinosaur skeletons in the otherwise empty space suggest a surreal museum. As the bird flies from the ancient bones toward their shadows, cast by the lightning, it's transported (in an arresting visual segue) to the dinosaurs' era. Several entrancing spreads later, it flutters away from a mild-eyed giant to confront one less benign. Snapped up, it flutters down a gullet- -and out past airy ribs, into the museum. Rohmann gives the excursion compelling immediacy by using intense colors and arresting points of view. In his beautifully composed spreads, the museum's glowering sandstone hues are imaginatively played off against the early world's innocent sky blue and vegetable green, the tiny, lithe bird against the lumbering primeval giants, flesh against bone, shadow against substance. A splendid debut. (Picture book. 4-9)
Pub Date: March 1, 1994
ISBN: 0-517-59598-2
Page Count: 32
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
While drawing dinosaurs at school, Flinn discovers he doesn’t have enough markers. He goes into the closet and discovers Captain Stubble crying over the loss of his ship The Acorn to some mysterious Yo-ho-ho-ers. Flinn volunteers to help, as do his friends from class. They are transported to a ship and set off in search of The Acorn only to find it overrun with dinosaur pirates. The pirate diplodocus, stegosaurus, triceratops and pterodactyl are easily dispatched, but the evil Captain Tyrannosaurus Rex fights on. After a lengthy sword battle, Flinn prevails. He returns the ship to Captain Stubble and reappears in the back of the supply closet with his friends just in time for lunch. Ayto’s wild watercolor-and-ink illustrations of boldly colored backgrounds and exaggerated perspectives are a shot in the arm to Andreae’s slightly sedate tale. The pirate theme, the riotous art and the jagged-toothed, drooling dinosaurs will make this a sure hit with Me Hardies of all stripes. (Picture book. 4-7)
Pub Date: Oct. 1, 2005
ISBN: 1-4169-0713-0
Page Count: 32
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
Spotting a passing dinosaur from his bedroom window one night, young Bobby follows it to a square surrounded by tall, dark office buildings where a host of dinos has gathered for a wild rumpus. Jobling, creative director of PBS’s “Bob the Builder,” creates big, blocky cartoons featuring simplified but recognizable dinosaurs, each a single, bright color, sporting with a pajama-clad lad until he drifts off and is tenderly borne back to bed. Emmett (Bringing Down the Moon, 2001, etc.) himself drifts between prose and verse in telling the tale, which makes for abrupt, awkward changes in rhythm. He cites Where the Wild Things Are as his inspiration, but when it comes to emotional or psychological depth, he misses the boat there too. (Picture book. 5-7)
Pub Date: March 1, 2001
ISBN: 0-307-41179-6
Page Count: 32
Publisher: Golden Books/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
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