by Giles Andreae ; illustrated by Guy Parker-Rees ‧ RELEASE DATE: Sept. 6, 2022
A gentle counter to traditional notions of masculinity and grit that breaks little new ground.
The author-illustrator team behind Giraffes Can’t Dance (2001) returns with a rhyming ode to bravery starring a pair of anthropomorphic bears.
Strong, handsome, courageous Clarence catches fish and finds honey with ease; in short, he’s “everything grizzly bears ought to be.” A loving big sibling, he gently encourages younger, smaller brother Dave to follow his example, but sensitive Dave presents a different image of masculinity. Wearing a flower garland, he cries: “I’ll never be Clarence, not EVER!” But Dave is struck by inspiration when he finds a brightly patterned piece of fabric on a walk and embarks on a secret project. Eventually, he invites all the animals to his den and presents his brother with a fabulous cloak, explaining that creating it “makes me feel…TRUE.” The transformation is tied up with an emotional bow as Clarence sheds tears of joy and tells Dave that accepting who he is makes him brave. The immediate and unanimous acceptance of Dave’s affinity for fashion is sweet if perhaps a bit idealistic; human children may not be as accepting as the gaggle of woodland critters, though the trepidation Dave feels in breaking from the norm rings true. Given how reassuring Clarence is from the get-go, there isn’t much dramatic tension, and it’s a story we’ve seen countless times before. The illustration style is love it or leave it, with campy, bright colors and a nostalgic, retro feeling in the shading and slight shadows. (This book was reviewed digitally.)
A gentle counter to traditional notions of masculinity and grit that breaks little new ground. (Picture book. 4-7)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-85010-9
Page Count: 32
Publisher: Orchard/Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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New York Times Bestseller
by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Sept. 5, 2023
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
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New York Times Bestseller
Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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