A hopeful message about altruism, related in accessible language and images.

FLYING WITH KINDNESS

A young boy learns that kindness is contagious in this picture book morality tale, aimed at children ages 2–8.

Basil doesn’t understand how or why to be kind. He fights with his sister, breaking her doll, and then slams the door to his room in a huff. When his family goes on vacation, his mother makes him give up his seat for an older woman. Basil’s frustrated, until the woman’s gratitude makes him realize that kindness matters. Soon, he decides to share his prized teddy bear with a crying baby, inspiring other passengers to be pleasant to others. When Basil loses his bear, he’s devastated—but kindness saves the day in an ending that will surprise and please youngsters. Simmons’ (We’re All Ice Cream. I’m Just a Different Flavor, 2010) simple, dialogue-heavy text relies greatly on Blueberry Illustrations’ (The Spider and the Vegetables, 2019, etc.) images to convey action; entirely textless pages show Basil’s reactions. The illustrations themselves, however, are uneven; early on, their letterbox-style layout seems designed for a differently sized page; later an airplane’s interior (featuring passengers who all share the same light brown skin tone) seems unrealistically large. However, the soft-edged, full-color art has a pleasantly friendly tone, overall, and Basil’s change of heart is truly appealing.

A hopeful message about altruism, related in accessible language and images.

Pub Date: Nov. 5, 2019

ISBN: 978-0-578-46059-8

Page Count: 28

Publisher: BookBaby

Review Posted Online: Jan. 29, 2020

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THE LORAX

The greening of Dr. Seuss, in an ecology fable with an obvious message but a savingly silly style. In the desolate land of the Lifted Lorax, an aged creature called the Once-ler tells a young visitor how he arrived long ago in the then glorious country and began manufacturing anomalous objects called Thneeds from "the bright-colored tufts of the Truffula Trees." Despite protests from the Lorax, a native "who speaks for the trees," he continues to chop down Truffulas until he drives away the Brown Bar-ba-loots who had fed on the Tuffula fruit, the Swomee-Swans who can't sing a note for the smogulous smoke, and the Humming-Fish who had hummed in the pond now glumped up with Gluppity-Glupp. As for the Once-let, "1 went right on biggering, selling more Thneeds./ And I biggered my money, which everyone needs" — until the last Truffula falls. But one seed is left, and the Once-let hands it to his listener, with a message from the Lorax: "UNLESS someone like you/ cares a whole awful lot,/ nothing is going to get better./ It's not." The spontaneous madness of the old Dr. Seuss is absent here, but so is the boredom he often induced (in parents, anyway) with one ridiculous invention after another. And if the Once-let doesn't match the Grinch for sheer irresistible cussedness, he is stealing a lot more than Christmas and his story just might induce a generation of six-year-olds to care a whole lot.

Pub Date: Aug. 12, 1971

ISBN: 0394823370

Page Count: 72

Publisher: Random House

Review Posted Online: Oct. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1971

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  • SPONSORED PLACEMENT

The rare immigrant chronicle that is as long on hope as it is on heartbreak.

INFINITE COUNTRY

A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.

"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.

The rare immigrant chronicle that is as long on hope as it is on heartbreak.

Pub Date: March 2, 2021

ISBN: 978-1-982159-46-7

Page Count: 208

Publisher: Avid Reader Press

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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I AM NOT GOING TO GET UP TODAY!

After an eight-year interval, a Beginner Book by this well-loved originator of the series is welcome; and since Seuss hasn't chosen to illustrate it himself, we are lucky to have Stevenson as alternate. In the familiar Seuss pattern of a simple premise exaggerated to comic effect, a boy declares, "My bed is warm. My pillow's deep. Today's the day I'm going to sleep"—regardless of his mother, various arguments, successive waves of reinforcements, including the Marines, and a TV crew filming the momentous event. Actually, the development of the idea is a little tame compared with Seuss' other extravaganzas (and such determined all-day slumber is more the province of teen-agers and the good doctor's contemporaries than of readers at this level); but the book is delightfully enlivened by Stevenson's vigorous illustrations, which considerably augment the text by showing the full extent of the consternation caused by the hero's stubborness. Though there is plenty of the repetition required by learning readers, there are also some unusual words like Memphis, suggesting that this is not the easiest easy reader; but it has enough appeal to keep beginners entertained.

Pub Date: Oct. 12, 1987

ISBN: 0394892178

Page Count: 40

Publisher: Random House

Review Posted Online: Oct. 19, 2011

Kirkus Reviews Issue: Sept. 15, 1987

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