A witty, wonderful introduction to the world of gaming that could have used more character development.

DON'T READ THE COMMENTS

When a famous teen gamer and an aspiring teen video game writer meet online, sparks fly.

When aspiring game writer Aaron Jericho meets gamer Divya Sharma online, he can’t believe it. Divya’s Glitch stream, where viewers watch her gaming, has over 100,000 subscribers, and sponsors constantly send her products like virtual reality devices and watches to review or wear (which she then sells for income). Little does Aaron know that the money Divya makes is critical—since her father left her mother, there’s hardly enough to pay the rent—or that she is constantly terrorized by trolls. The two strike up an unlikely friendship with the potential for romance, but threats from a group of trolls calling themselves Vox Populi threaten Divya’s privacy and personal safety. Smith’s (contributor: Color Outside the Lines, 2019, etc.) characters are achingly sincere, and his smooth and witty dialogue’s a pleasure to read. He artfully immerses the reader in the world of gaming, building characters and settings that are fun and compelling to read. However, while Aaron’s home and family life are fully developed, Divya—whose conflict is, arguably, the more interesting one—remains two dimensional. Particularly glaring are the minimal interactions between Divya and her mother, although protecting her mother is Divya’s main motivation for gaming. Aaron is of Honduran and Palestinian descent, and Divya is cued as South Asian.

A witty, wonderful introduction to the world of gaming that could have used more character development. (Fiction. 13-18)

Pub Date: Jan. 28, 2020

ISBN: 978-1-335-01602-7

Page Count: 320

Publisher: Inkyard Press

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

No Comments Yet

Engrossing, contemplative, and as heart-wrenching as the title promises.

Reader Votes

  • Readers Vote
  • 29

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • New York Times Bestseller

  • IndieBound Bestseller

THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

Did you like this book?

Riveting, brutal and beautifully told.

Reader Votes

  • Readers Vote
  • 20

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

Did you like this book?

more