Visually cheap, narratively forced.
Operators at a color factory lose control and ask readers for help.
A panda, a zebra, and a bespectacled penguin—the same characters who managed The Black and White Factory (2016)—invite readers into the Color Factory for a grand-opening tour. This manufacturing plant uses a fancy replicating machine to calculate a color’s exact ingredients. The color-creation process is never depicted; instead, one page displays the upcoming color’s ingredients—Fire Engine Red and Canary Yellow make Factory-Approved Orange, for instance—while the following page reveals objects of that color (in this case, basketballs, traffic cones, and safety vests). The text bristles with rigid language, such as “strict formulas,” and frequent repetition of the terms “Factory-Approved” and “perfect”; when things inevitably go awry, the drama feels as forced as these rules do. It’s also unclear quite how things go awry. After readers are asked to pull blue and pink separately onto a lollipop, the lollipop suddenly has brown-gray stripes, and other objects are somehow colored in warm grays: “We do not approve!” yells the zebra as sirens wail. Actions requested of readers—tapping, rubbing, or inhaling colors—are disconnected from the displayed results. A chaos of circles, swirls, diagonals, and jagged lines along with too many similarly saturated colors create busy pages lacking focus. Hervé Tullet’s Mix It Up (2014) treats similar themes brilliantly and without blaming readers in the process.
Visually cheap, narratively forced. (Picture book. 4-7)Pub Date: June 19, 2018
ISBN: 978-1-4998-0556-7
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: April 17, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Unusual illustrations enhance an engaging, informative narrative.
What can a worm do?
A little worm sets off on a “twirl” to “see the world.” But when it overhears a human referring to it as “just a worm,” its feelings are hurt. The worm asks other critters—including a caterpillar, a spider, a dragonfly—what they can do. After each answer (turn into a butterfly, spin silk thread, fly), the worm becomes more and more dejected because it can’t do any of these things. “Maybe I am just a worm.” But then the worm encounters a ladybug, who eats aphids and other insects, and the worm realizes that it eats dead plants and animals and keeps gardens clean. And though the worm can’t pollinate like the bee, it does create castings (poop) that help plants grow and stay healthy. These abilities, the worm realizes in triumph, are important! The cleverness of this story lies in its lighthearted, effective dissemination of information about various insects as well as earthworms. It doesn’t hurt that the expressive little worm is downright adorable, with emotions that will resonate with anyone who has felt unimportant. The stunning illustrations are done in quilled paper—a centuries-old technique that involves assembling strips of colored paper into shapes—which adds sparkle and originality. A tutorial of how to make a quilled butterfly and a page on earthworm facts round out the book. (This book was reviewed digitally.)
Unusual illustrations enhance an engaging, informative narrative. (Informational picture book. 4-7)Pub Date: March 14, 2023
ISBN: 978-0-06-321256-5
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
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