by Eric Walters ; illustrated by Eugenie Fernandes ‧ RELEASE DATE: Feb. 27, 2018
Tales of boy-meets-dog are perennially popular for good reason: they can tug powerfully at the heartstrings. Unfortunately,...
Set in an unnamed tropical nation by the sea, this picture book follows a boy and the dog he’s befriended as they enjoy one of their regular outings to surf at the beach.
Sammy greets the dog who waits faithfully for him to return home from school every day, and the two ride a scooter to the beach, where they surf together until sunset, a routine they have had “for many months.” This particular evening the boy’s mother offers to feed both of them dinner, which startles the boy, who says, “But he’s not our dog.” A refrain throughout the book is that the boy and dog are friends who care for each other, so it is confusing that he would respond in such a way to this turn of events. Visual clues—a tropical jungle inhabited by squirrel monkeys, ocelots, and toucans—point to Central America as the setting. Additionally, all the people shown are brown-haired and brown-skinned like Sammy, but the text does not ground the story in a particular cultural context, losing an opportunity for richness and texture as a result. The story arc is weak, lacking any tension, and the text is flat and stilted.
Tales of boy-meets-dog are perennially popular for good reason: they can tug powerfully at the heartstrings. Unfortunately, there is little here to distinguish this story from the pack. (Picture book. 3-7)Pub Date: Feb. 27, 2018
ISBN: 978-1-4598-1435-6
Page Count: 32
Publisher: Orca
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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More by Lana Button
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by Lana Button & Eric Walters ; illustrated by Isabelle Malenfant
BOOK REVIEW
by Eric Walters
BOOK REVIEW
by Eric Walters
by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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More by Eric Carle
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edited by Eric Carle
BOOK REVIEW
edited by Eric Carle
BOOK REVIEW
by Eric Carle ; illustrated by Eric Carle
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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More by Aaron Reynolds
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by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Peter Brown ; illustrated by Peter Brown
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