Not as compelling as earlier installments but still an enjoyable read featuring a distinct family.
Two artists find love as they become embroiled in a dangerous counterfeiting scheme in Regency London.
The Wynchesters—an eccentric crew of six adopted siblings—are known for using their unique talents to help people in need, taking on even seemingly impossible cases. Marjorie’s artistic prowess means her contributions typically occur from the safety of the Planning Parlor within the Wynchester residence, but when the family is alerted that a notorious moneylender called Snowley is pawning off forged coins on the destitute in exchange for their few valuables, Marjorie wants to prove herself by taking the lead and going out in the field to take him and the operation down. Meanwhile, Lord Adrian Webb has returned to London from Rome, where his family had banished him seven years earlier, hoping to repair his relationship with his younger sister. When he visits Snowley, to whom he had been furnishing antiquities to sell, with the intention of ending their arrangement, he learns that Snowley knew the artworks were actually forgeries Adrian had created himself. Now Snowley is blackmailing Adrian into counterfeiting money. When Marjorie shows up under the guise of wanting to work for Snowley, she and Adrian initially antagonize each other, despite their mutual attraction, but they connect as truths are revealed. This is the fourth installment in the Wild Wynchesters series and will most appeal to those already in love with this eccentric bunch. It’s exciting to watch Marjorie, who has partial deafness and is cued as a synesthete with eidetic memory, grow in confidence. Adrian’s character arc is less authentic since, despite being referred to as a rake and a scoundrel, his actions are always based on honorable ideals. There’s kissing and pining throughout, but mostly the intimacy takes a back seat to the entertaining hijinks.
Not as compelling as earlier installments but still an enjoyable read featuring a distinct family.Pub Date: Sept. 12, 2023
ISBN: 9781538726112
Page Count: 352
Publisher: Forever
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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