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KING OF THE ZOO

Unfortunately, this mishmash of a tale ultimately disappoints.

In this shallow story, Carlos the chameleon is sure that he is the king of the zoo—and he always will be as long as someone believes in him.

In an opening spread featuring a game-board–like trail on which each of eight animal pens bear signs with crowns, an omniscient narrator asks “[W]ho’s king of the zoo?” Carlos, at the beginning of the trail, believes he is until he ventures into the zoo and sees the crown outside the kangaroos’ enclosure. His eyes bulge, and, echoing Eric Carle’s From Head to Toe (1997), he becomes hopping mad. When he finds a crown at the monkeys’ tree, he scratches his head; at the elephants’, he stomps his foot and so on. Angry and bewildered, Carlos shouts at each animal (in big type in speech bubbles), staking his claim. His obnoxious behavior is somewhat alleviated by the bright cartoon-style art, which depicts the animals looking on, perplexed, as Carlos exhausts himself. In a forced interlude, the chameleon experiences a range of clichéd emotions, turning green with envy and going yellow with fear—ruminations that only scratch the surface. The superficiality is reinforced by the conclusion. Carlos recovers when a visitor arrives at his window and claims, “He’s my favorite.” The stated lesson: He only needed one person to know “he ruled.”

Unfortunately, this mishmash of a tale ultimately disappoints. (Picture book. 3-6)

Pub Date: Aug. 1, 2013

ISBN: 978-0-545-46182-5

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: June 7, 2013

Kirkus Reviews Issue: June 15, 2013

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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DAD

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can.

Dedicating his latest to “caregivers who give what they never got,” Caldecott Honor winner Robinson explores complicated feelings around fatherhood.

From the outset, the book appears to be a standard-issue Father’s Day offering, pairing brief, loving sentiments with images of animals. But it soon becomes clear that Robinson has crafted something much more complex. A frog with tadpoles nestled atop his back (“Dad is here”) is followed by an illustration of an owl leaving the nest (“Dad had to go away”). More contrasts are presented: a seahorse keeping his offspring safe in his pouch (“Dad holds on tight”), two shark pups swimming away from their frenzied-looking patriarch (“Dad need lots of space”). “Dad lets you down and makes mistakes” (a porcupine accidentally jabs his little one), but “Dad picks you up and makes you feel safe” (a lion snuggles his cub). And the human fathers we meet next—diverse in skin tone and ability—are equally multifaceted. Robinson outdoes himself, his bold and richly textured paint and collage artwork popping against the background. His artwork is rife with subtleties for careful readers—for instance, the look of uncertainty in the eyes of the gorilla father described as “strong.” For all its simplicity, this colorful book is laden with meaning, depicting fathers as vulnerable, imperfect, gentle, and empathetic—in a word, deeply human.

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can. (more information on the animals presented) (Picture book. 3-5)

Pub Date: May 12, 2026

ISBN: 9781250397041

Page Count: 48

Publisher: Balzer + Bray

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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